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Julia DePinto

Adem Bunkeddeko: Offering Structural Change to NY-9

June 21, 2020 By Julia DePinto Filed Under: Community, Reader Profile Tagged With: adem bunkeddeko, julia depinto

While the worst of the pandemic is arguably behind us and the long road to economic recovery lies ahead, recent weeks have brought on new challenges and calls for immediate systemic and structural change. Tens of thousands of New Yorkers have taken to the streets each day to protest police brutality, lack of law enforcement accountability, and the fundamental discriminatory and racist systems that have targeted and hindered Black communities.

Now that the pandemic-disrupted Primary Election is only a day away, some New Yorkers are turning to new faces to create the structural change desperately needed in our country. For those living in Central Brooklyn’s Ninth District, promising change is tied to the campaign of community organizer and Democratic Candidate for the United States Congress, Adem Bunkeddeko. In 2018, Bunkeddeko narrowly lost the Democratic primary to seven-term incumbent, Rep. Yvette Clarke. Now, he is back in the race, centering his grassroots, people-powered campaign on bringing housing security and economic opportunity to the Ninth Congressional District. 

“We started from zero and had many hurdles,” said Bunkeddeko. “Now we have grassroots energy leading our campaign. This is the type of energy and support that is needed to bring about change in Brooklyn and in Washington.”

Bunkeddeko, 32, has spent his entire career helping vulnerable New Yorkers attain economic autonomy. A modest upbringing has helped him connect to Brooklyn’s immigrant communities, particularly those living in Crown Heights and Flatbush. Bunkeddeko’s parents, Ugandan war refugees who fled during the civil war, resettled in Queens and raised their New York City-born children in a one-bedroom apartment. His father, who came to the US with only $50, spent time in a detention center before seeking asylum through the help of legal aid. Growing up in a working-class, immigrant family, Bunkeddeko was taught to value the principles of Democracy and economic opportunity. He was one of the first in his family to attend college and received a B.A. from Haverford College and an M.B.A. from the Harvard Business School. 

“The decision to run for Congress in NY-9 was a natural arch through my experiences with community organizing and public service,” said Bunkeddeko. “My own experience, and the experiences of my parents, are similar to those in our community, particularly in immigrant neighborhoods and in communities of color. There is a hunger and a desire for change that hasn’t been met under the current representatives.” 

Bunkeddeko’s career in public service and the nonprofit sector began with the New York Working Families Party, where he worked as a grassroots organizer. He later worked with the Empire State Development Corporation, improving Brooklyn’s underserved communities. Bunkeddeko has previously served on Brooklyn Community Board #8, and recently served as the strategy and innovation officer for the Local Initiatives Support Corporation to bring economic opportunity to residents. 

“Roadblocks are happening in government,” said Bunkeddeko, “including roadblocks in Washington. We haven’t seen meaningful, structural change because those in charge are detached.”

Many New Yorkers, living in the state’s metropolitan area, are familiar with the financial difficulties of experiencing a high-rent burden. In some parts of Brooklyn, rent has increased by 20% or more, and some areas have suffered a net loss of 5,000 rent-stabilized apartments. Bunkeddeko’s Housing Plan includes fully funding the New York City Housing Authority (NYCHA), and creating a federal program to help moderate and low-income New Yorkers become homeowners at the lowest possible cost. His national housing initiative would see an investment of federal dollars to build 12 million public housing units throughout the country.

In a published article, Bunkeddeko wrote, “In 2018, housing was my number one issue. Now, two years later, the crisis continues as politicians allow investors to rig the housing market as they shortchange investment in affordable homes.”

Bunkeddeko’s federal school desegregation program, Race to Racial Fairness, redraws school districts away from historically segregated maps and provides federal funding for districts that recruit and accept students and teachers of color. The initiative also replaces law enforcement with mental health professionals and supports alternative post-secondary career pathways. 

The killing of George Floyd by Minneapolis police officers has sparked national outrage and has invoked a larger movement to protest the rise in documented police violence towards Black individuals. Bunkeddeko is committed to fighting for equality and justice, specifically in low-income, Black and Brown communities by bringing equity and reform to the systems that are currently in place. He supports the ending of qualified immunity for law enforcement officials who violate the Constitution. Reforms to the NYPD and law enforcement, including the defunding and demilitarizing of police units, are part of Bunkeddeko’s plan to protect and reinvest in marginalized communities. 

Bunkeddeko is also committed to reforming the criminal justice system, which disproportionally targets and imprisons low-income individuals of color. Reforming the bail system such that pretrial detention is based upon flight risk instead of wealth, and legalizing marijuana while expunging the records of those who have possession-related convictions, can greatly reduce America’s prison population and bring justice to those who have been disproportionately and unfairly incarcerated. 

“I am exhausted and my community is exhausted,” said Bunkeddeko. “People with Black bodies are exhausted. Until the country is exhausted, we won’t see change.”

Recently, Bunkeddeko has taken to the streets of New York City, proudly marching with the Black Lives Matter movement. In early June, he rallied with the Crown Heights Tenant Union and NY Communities for Change to push for legislation that would protect New Yorkers who are housing insecure by halting all evictions while the novel coronavirus persists. 

One of Bunkeddeko’s most discussed issues is on creating humane immigration policy to protect refugee and immigrant communities from deportation while reforming employer-sponsored visa systems, broadening legal services available to immigrants, and creating a pathway to citizenship for DACA recipients. In an interview with Errol Louis of NY1’s Inside City Hall, Bunkeddeko said, “We’ve got an administration that is turning its back on not only immigrants but the values that made this country what it is— and why my parents were willing to flee war-torn Uganda to come here.” 

The Supreme Court’s ruling to block the Trump administration’s attempt to end DACA came as a surprise and relief to many. The decision to setback one of Trump’s crucial campaign promises, ending the legal protection of nearly 800,000 young immigrants brought to the United States as children, is provisional. While the Obama-era immigration program does not provide a pathway to citizenship, it is a problem Bunkeddeko intends to redress.

“For many people, the ‘American Dream’ has not existed,” said Bunkeddeko. “We live in a hunger-games society, and if we are not going to provide the basics— housing security, education, equal opportunity, and a pathway to citizenship— then people are not going to see the potential for a dream. If we can make lasting changes to these systems through policy, people will be actually able to live out their version of the dream.” 


Adem Bunkeddeko has been endorsed by The New York Times, New York Progressive Action Network, Empire State Indivisible, LAMBA Independent Democrats of Brooklyn, Leadership Now Project, and more. For more information on Bunkeddeko’s Congressional campaign, please visit the official website, Adem for Congress. 

For voter information regarding the June 23rd Democratic Primary Election, please visit, New York State Board of Elections. 

Filed Under: Community, Reader Profile Tagged With: adem bunkeddeko, julia depinto

Pandemic Diary VIII – Tanabel: Delivering Food, Jobs, and Community, Amid the Pandemic

May 27, 2020 By Julia DePinto Filed Under: Pandemic Diaries Tagged With: julia depinto, pandemic diary

As New York’s (confirmed) death toll nears 24, 000, nine out of ten regions across the state have steadily begun reopening non-essential sectors and easing stay-at-home restrictions. In the five boroughs, where “PAUSE” mandates could last through June 13, small, socially distant gatherings of up to ten people are once again allowed. While some New Yorkers are beginning to ease back into the “hustle” and vigor of the past, others are confronted with new challenges. Job loss, income instability, and food insecurity are only a few of countless issues, trailing the economic fallout of the novel coronavirus pandemic. Recently, city officials announced that roughly one in four New Yorkers, living in the metropolitan epicenter of COVID-19 infections, lacks adequate food.

Brooklyn-based Mutual Aid groups, small businesses, and local activists have long been organizing food pantries and providing emergency groceries to New Yorkers in need of assistance. Tanabel, a food and events company in Park Slope, opened a food drive for refugee and asylum-seeking families in late- March, soon after the announcement of  “NY State on Pause.”

“We have a built a brand around the experience of communal dinners,” said Tanabel owner, Hannah Goldberg. “Because of the pandemic, our company has adopted a ‘dinner in a bag’ model. We’ve been cooking takeout feasts for Muslim communities and Brooklyn clients during the Ramadan season, and making weekly deliveries of culturally-sensitive groceries and essential items to refugee families all over the city.”

Goldberg, a writer, world-traveler, and experienced Brooklyn chef, founded Tanabel after learning about President Trump’s directive, Protecting the Nation from Foreign Terrorist Entry into the United States. The widely criticized Executive Order was created to temporally ban noncitizens from seven majority- Muslim countries, and to indefinitely suspend the resettlement of Syrian refugees in the United States. Goldberg, who had previously worked with refugee resettlement organizations, saw food as a way to bridge cultural gaps and provide job opportunities for refugee and asylum-seeking women. She invited women from Syria, Iraq, and other countries in conflict, to host dinner parties, teach cooking classes, and prepare gourmet meals that celebrate and reflect Middle Eastern culture and cuisine. Utilizing her culinary expertise and home kitchen as a source for outreach, Goldberg was able to effectively counter the Trump Administration’s anti-immigration policy, and provide community, equality, and independence for her chefs.

“There are gaps in integrating refugee women into NYC,” said Goldberg. “Tanabel was created to empower and highlight the talents of immigrant women, but it also serves as a place for them to find community and meaningful, empowering employment.”

Tanabel, a derivative of Souk el Tanabel, or the Arabic word for “lazy-person,” describes a utilitarian concept of meal preparation. In Syria, bushels of fresh produce are delivered to the home kitchens of women, who then prepare rich and complex, labor-intensive meals for merchants at the “lazy person’s” market. 

“There are a lot of really earnest women in New York City, making incredibly sophisticated food,” said Goldberg. “The women I employ bring a true home-cooked angle to the meals they prepare. I’ve worked with food all of my life, but I’ve learned the most from my chefs. Their talents are extraordinary, and the ingredients they use are esoteric to American cuisine and culture.” 

An unprecedented influx of unemployment claims and food insecurity, following the novel coronavirus pandemic, have affected many refugee and asylum-seeking communities. For Tanabel’s chefs, some living in the hardest-hit regions of New York City, the economic shutdown and strict state mandates meant relinquishing employment and camaraderie. 

“Tanabel is still open for carry-out, although many of our chefs are not able to leave their apartments,” said Goldberg. “They are the matriarchs of their families, and now they are needed in their homes. For some of the women, it is simply not safe to take public transit to our kitchen.” 

In March, Goldberg organized an emergency food drive, providing culturally-sensitive grocery aid to hundreds of refugee and asylum-seeking families throughout New York City. Neighbors for Refugees and Mask for NY have donated masks to include in the grocery deliveries. The handmade cloth-masks are sewn by refugees living in West Chester.

Goldberg hopes to open a brick-and-mortar store in the future, but says that for now, she is stepping back to let Tanabel evolve. Large, family-style feasts and a la carte items are available for take-out, cooked with fresh and locally-sourced ingredients. Goldberg has continued working privately with different chefs each week to prepare the meals.

“This experience has deepened my relationship with my chefs and has brought me closer to my neighbors and community,” said Goldberg. “The emergency food drive has been incredibly rewarding. Through donations, we have helped hundreds of people put food on their tables.” 


Since 2017, Tanabel has brought refugee cuisine of the highest quality to the tables of New Yorkers through cooking classes, pop-dinners, and catering. Now they are providing ample and culturally sensitive deliveries of fresh produce and shelf-stable products to hundreds of refugee families living in New York City. To support Tanabel’s food drive, please donate here. 

For more information on take-out catering, please visit Tanabel.com. 


Contribute to Park Slope Reader’s Covid-19 Relief Fund to support our staff, writers, artists, and advertisers during this time.

During this time of uncertainty, we at the Park Slope Reader are committed to continuing to serve our community. Please follow us each week as we catalog changes in our neighborhoods, while providing the latest medical developments and valuable resources. Park Slope and adjoining areas are unique to the New York City landscape, and we will continue highlighting our neighbors through weekly editorials. This is a challenging and historic time; please know we are committed to getting through this together. 

We want to know how the coronavirus pandemic is affecting you. If you have a story to share please contact us at office@psreader.com. 

Filed Under: Pandemic Diaries Tagged With: julia depinto, pandemic diary

Pandemic Diary VII – 
Dave the Spazz: COVID Felt Like Blowtorches Behind Each One of My Eyeballs

May 19, 2020 By Julia DePinto Filed Under: Pandemic Diaries Tagged With: julia depinto, pandemic diary

Dave the Spazz. ©Tim K. Smith.

In the past few weeks, many states, including Georgia, Texas, and Ohio have lifted stay-at-home restrictions and steadily begun to reopen non-essential industries. In upstate New York, rural, less-affected areas have slowly reopened select retailers, and construction and manufacturing sectors. Governor Cuomo’s blueprint for reopening New York State divides the state into regions, each with specified timetables and guidelines. The detailed plans announced that restrictions will not be eased until the region meets specific criteria, including available hospital beds and programs for COVID-testing and contact-tracing. New Yorkers, living in the metropolitan area, can expect the economic shutdown and stay-at-home mandates to extend through June 13. 

Native New Yorker and host at WFMU, Dave the Spazz, is one of many recovering COVID-19 patients, living in the epicenter of novel coronavirus cases. Dave launched his radio career in 1982 at WPKN in Bridgeport, Connecticut, and now hosts the popular radio show, Music to Spazz By. The weekly show consists of music from an eclectic mix of genres, ranging from R&B and soul sounds to garage punk and live R&R bands.     

We spoke to Dave the Spazz about music, politics, antibody testing, and adjusting to the at-home DJ-life, following a long bout with COVID-19. Our conversation has been edited for brevity and clarity. 

Park Slope Reader: Can you tell us about your radio show, Music to Spazz By? 

Dave the Spazz: I’ve been hosting a weekly show at WFMU in Jersey City (91.1 FM) for the past 33 years. WFMU is a listener-supported, non-commercial, freeform radio station that encourages DJs to push the boundaries of entertainment, creativity, and sometimes, taste. Music To Spazz By is a fast-paced party that features rock & roll from the past 100 years. Bingo the Chimp produces the show, or at least he thinks he produces the show, but he’s frequently more trouble than he’s worth. And he files my records away upside down and out of order.

PSR: In a social media post, you explained that both you and your wife, Nancy, were infected with COVID-19 in late March. There were statewide shortages of test kits and PPE at that time. Were you and Nancy tested? 

Dave: In the second half of March it was nearly impossible to get tested. I’m an “essential worker” at my day job, Broadcast Engineer at WNYC/WQXR, and I still didn’t qualify for testing. One of the few ways to get tested was to check into an ER but only if you were at death’s door. 

PSR: Do you know how you contracted the virus?

Dave: I probably contracted COVID-19 from my morning C-train commute. It’s always packed at 6 am.

PSR: How has the pandemic disrupted your radio show?

Dave: With the exception of a tiny, brave skeleton crew, WFMU has cautiously put our Jersey City location on lockdown for the next 12 months. In an unheard rally of competence, most of the DJs are broadcasting from their ratty apartments/sprawling mansions either live-to-tape or live-to-air. It’s a real achievement for a legendary gang of underachievers to quickly embrace this technology. WFMU is more of a community than just a music station. The listeners are happy that we’re still on the air, mostly in real-time, cranking out their favorite noise.

PSR: You have described the symptoms of COVID-19 as, “unrelenting misery” and wrote in a social media post, “Neither of us could have been prepared for symptoms that were this insane.” Can you further explain the intensity of COVID-related symptoms?

Dave: We would get winded just walking across the room. Nancy had respiratory issues, exhaustion, and dry coughs. We both had fevers, chills, body aches, no appetite, and the lack of smell and taste. Lack of taste was a truly odd sensation. It turns out that eating is a disgusting act that many of us do several times a day. Even drinking water was difficult. Five days in, one of my lymph nodes swelled up to the size of a ping-pong ball. One night, Nancy woke up in agony as her inflamed lungs pressed down into her stomach. That was almost an emergency room night.

We lived with COVID-19 in its full glory for about 10 days or so. During that period I got slammed with four days in a row of the worst bout of blinding headaches I’d ever experienced in my life. Each session was six hours long with two in particular that were especially brutal. The COVID-headache was an odd, ruthless sort of duck. It laughed at the Tylenol I was throwing at it; chewed it up like Pez and spat it back at me. It felt like there were blowtorches behind each one of my eyeballs, with an elephant firmly seated on my forehead. I’ve had broken bones, concussions, been doored by cars, and tossed out into traffic, yet I have never experienced pain as excruciating as those headaches. 

Six weeks after recovering, we still can’t shake off some lingering symptoms. Nancy’s congestion issues and my headaches. I still have daily headaches although they are not nearly at the “blowtorch” and the “elephant” intensity. I’ve been diagnosed with the post-coronavirus complication, Sinusitis. Fluid was detected behind my right ear. It’s usually a dull pain that migrates to different parts of my skull, bouncing around like a barely working string of Christmas lights. 

PSR: While NYC remains the epicenter of COVID-19 cases, testing-sites are becoming increasingly available, with more than 1.4 million already tested in the state. You were not tested for COVID-19 infection; have you been tested for antibodies?

Dave: Yes, I eventually got an antibody test and the results, if their accuracy is to be believed, are perplexing. The antibody test looks for the presence of short term (IGM) and long-term (IGG) antibodies. Short-term antibodies detect that COVID-19 was in the body within the past 14 days. Long-term antibodies confirm that one had COVID-19 at some point. 

I tested positive on both short and long term antibodies. Long term wasn’t a surprise but the short-term positive reading didn’t make sense. I haven’t had COVID within the past 14 days–it has been more than six weeks. Based on those odd findings, my doctor administered the classic footlong swabs up the nose, COVID-19-style. I’m currently waiting for the results.

PSR: In a social media post you wrote, “This pandemic was tragically avoidable. COVID-19 is like 9/11 in slow motion.” Many New Yorkers who experienced 9/11 have compared the two events. Can you further explain this analogy?

Dave: Both tragedies were brought upon by a deadly combination of incompetence and evil. Warning signs for each tragic event were dismissed for lazy and/or nefarious reasons by our elected officials. I was in NYC around 9/11 and worked at two jobs, both near West Canal Street. The initial impact of the airplanes hitting the World Trade Center was over in minutes but the health consequences that followed will continue to last for decades. On a more simplistic level, COVID-19 is a slow-moving beast. Its devastation crawls along like two airplanes stuck in aspic.

PSR: What are your thoughts on the federal government’s response to the pandemic? 

Dave: Our president and his toadies dropped the ball on this one through ignorance and shortsighted greed. They have a lot to answer for, and in a just world, they would be held accountable for their actions, or inactions. Trump’s a madman but I blame his yes-men, cretins, even more for having his back and legitimizing all of this. 

PSR: What about New York State’s response?

Dave: Andrew “I’ll change my name to ‘Amazon’” Cuomo certainly appears rational and oddly comforting these days, especially in comparison to Trump’s insanity. However, the NYC and NY State response was slipshod and late to the pandemic. For the most part, I blame New York’s dysfunctional and bickering parents, de Blasio and Cuomo. Schools and playgrounds should be open or closed, subways cleaned or not cleaned, St Patrick’s Day parade or not– these were only a few issues that were botched by their mismanagement. 

More importantly, I think that along with other politicians and corporation owners, Governor Cuomo is underreporting the numbers of confirmed and probable COVID-19 associated deaths. Deaths at home or outside of the health care system, false negatives on tests, and infections after testing are all variables that may not be accurately figured into the total count. For any plan to reopen schools and businesses, and not have it be an even worse catastrophe, we need accurate information. Cooking the books won’t save our asses this time.

PSR: The pandemic, and first-hand experience with the COVID-19 infection, have disrupted your life in ways that many people cannot imagine. What has been the greatest challenge for you and Nancy during this time of unfortunate adversity? 

Dave: In April, Nancy’s eldest sister contracted COVID-19 and died a week later. She was living in a step-down care facility after a brief hospitalization in Cherry Hill, New Jersey. The nurses said that no one at the facility had COVID-19, although no tests were performed. 

It was heartbreaking for Nancy’s family to not have a funeral, and not be able to console each other in person. There was no opportunity to look a loved one in the eye and ask, “What the hell just happened?” To hear that someone you know is sick is an almost daily event. It’s worse than catching it yourself.

PSR: In a recent post, you wrote, “The mystery of what each day brings can be confounding and agonizing.” I am assuming you still feel this way. Is there anything keeping you hopeful? 

Dave: What we don’t know about this virus outweighs what we do. This is a mysterious and serpentine virus that continues to outwit us at every turn. Ignoring its global impact is a fool’s errand and currently, fools are at the wheel. 

I’m hopeful that a vaccine at some point will rein in COVID’s obliterating destruction, or at least slow it down. If we’re ever going to beat this, it means being patient and settling down for the long haul. This will be a protracted process and the sooner that we acknowledge that the rest of 2020 is a bust, the better we’ll be able to cope with uncharted days ahead. 

PSR: Which musicians are you listening to off-the-air? Has the pandemic changed your musical selection? 

Dave: Aside from WFMU, New Orleans music really pulled us through the worst of this. Josh Paxton is an amazing piano player in the James Booker, Allen Toussaint, and Fats Waller style. His Saturday night streamed solo shows direct from NOLA were a party and a tonic. Also, in place of this year’s Jazz Fest, WWOZ aired rare Jazz Fest broadcasts with Irma Thomas, Dr. John, Fess, and Ella Fitzgerald.


Music to Spazz By is a listener-supported, non-commercial, freeform radio show, hosted by Dave the Spazz and produced by Bingo the Chimp. Tune in to WFMU  (91.1 FM) on Thursdays from 9 pm- Midnight for the best tracks in late-night R&R.


Contribute to Park Slope Reader’s Covid-19 Relief Fund to support our staff, writers, artists, and advertisers during this time.

During this time of uncertainty, we at the Park Slope Reader are committed to continuing to serve our community. Please follow us each week as we catalog changes in our neighborhoods, while providing the latest medical developments and valuable resources. Park Slope and adjoining areas are unique to the New York City landscape, and we will continue highlighting our neighbors through weekly editorials. This is a challenging and historic time; please know we are committed to getting through this together. 

We want to know how the coronavirus pandemic is affecting you. If you have a story to share please contact us at office@psreader.com. 

Filed Under: Pandemic Diaries Tagged With: julia depinto, pandemic diary

Pandemic Diary VI- I Will Keep Sewing Masks As Long As People Need Them: An Interview with Carla Bellisio

May 12, 2020 By Julia DePinto Filed Under: Pandemic Diaries Tagged With: julia depinto, pandemic diary

Since the early days of the novel coronavirus outbreak, confusion and controversy surrounding self-protective measures and Personal Protective Equipment (PPE) have continued to circulate in the United States. The Centers for Disease Control and Prevention (CDC) recommend wearing non-surgical grade masks and cloth face coverings in public and reserving high-grade N95 respirator masks for healthcare workers and medical first responders. A review of federal purchasing contracts confirmed that the Trump Administration failed to stockpile life-saving medical equipment, vital to protecting medical frontline workers and treating patients infected with COVID-19. The fractured federal response to the pandemic has caused mass shortages in PPE and ventilator machines, draining resources from the Strategic National Stockpile.

The shortages of medical equipment and PPE have led many skilled artisans and emergency response collectives to organize, producing thousands of units of protective wear each week. Professional Fashion Designer and Co-Founder of Fermata Designs, Carla Bellisio, has sewn hundreds of cloth facemasks and reusable surgical gowns for essential workers, first responders, and frontline health personnel.

We spoke to Bellisio to get a rare glimpse into the life of a professional artist, amid the pandemic. Our conversation has been edited for brevity and clarity.

PSR: Where are you from, and how long have you worked in the fashion industry?   

Carla Bellisio: I was born and raised in central New Jersey, along the coast, and moved to New York City in 2005. I have worked in costume design for numerous theatre companies in the city, and I am currently studying Sustainable Fashion at the London College of Fashion. 

I started making doll clothes at a very early age. I was unhappy with the manufactured clothing that the dolls were dressed in. I began sewing my own. Earlier generations of my family lived in New York. My grandmother worked as a milliner in the garment district, and my dad was born and raised in Flatbush. When he was a boy, he worked for a manufacturer in the garment district as an errand boy.  A generation before that, my great grandfather worked as a glover in Italy.  

PSR: NYC’s first confirmed case of the novel coronavirus was reported on March 1. When did you first begin sewing masks?

Carla Bellisio: I was still in Europe when the virus was first reported in NYC. I came home for Easter break during the second week of March. At first, I wasn’t thinking too much about the possibility of not being able to return to school after the break. The plane ride to New York was daunting. I realized that I might not be able to return to London after the break and that I would need to quarantine myself for a few weeks. I did not start making masks right away; I did a lot of research first. I knew I had the resources and capability to make large quantities of masks. I wanted the specifications to be correct so that I could utilize my resources and time in the most effective way possible. 

The first set of 150 masks was made with supplies from my own stock. I sent the masks to friends, family, neighbors, and local workers. I also sent boxes of masks to physicians and nurse practitioners at the Thomas Jefferson University teaching hospital in Philadelphia, and Columbia Presbyterian hospital here in New York. It wasn’t until later that I began making surgical gowns for medical workers. 

PSR: To clarify, you are supplying the materials to sew masks. How are you able to sustain this model, and have you considered asking for donations?  

Carla Bellisio: When my supplies began to narrow, my friends and family sent me fabric. I have not asked for cash donations or charged for the masks. I don’t feel that it is right for me to profit off of them.  Once you start selling masks, it becomes a business and you have to give customer service. 

I recently partnered with two artists coalitions to make PPE. The fabric is provided by the organizations. 

PSR: You are working with emergency response organizations, The Skilled Laborers Brigade, and Broadway Relief Project. You have sewn hundreds of reusable masks for public service workers and surgical gowns for the medical community. Can you tell us more about your involvement with these organizations?

Carla Bellisio: The Broadway Relief Project was contracted by the NYC EDC (Economic Development Corporation) to build 39,000 emergency gowns for NYC hospitals. So that’s what I am working on now.  The previous gowns I made also went to NYC hospitals. 

I received an update email from The Skilled Laborers Brigade. The box of 50 masks I stitched for them contributed to a set of 5,000, which went to:

  • 1,500 masks into the hands of Firefighters in Freemont, CA
  • 600 masks into the hands of ER Nurses at Mt. Sinai West
  • 1,500 masks into the hands of doctors across NYC
  • 300 masks to nurses at Burke Rehabilitation
  • 300 masks to doctors Montefiore Medical Center
  • 800 masks to doctors in NY/NJ

PSR: That’s incredible. Has this experience been personally rewarding for you?

Carla Bellisio: Yes, it really has. I’m still taking classes remotely and working towards my Master’s degree, but sewing PPE for frontline workers has given me a lot of purpose during this time. The physical act of sewing is meditative and has kept me focused. 

PSR: You are studying Sustainable Fashion at the London College of Art. How has the pandemic changed the trajectory of your studies? 

Carla Bellisio: The pandemic is affecting all of my assignments. This has truly changed the future of the fashion industry. If we ignore the effects of this then we ignore the pandemic. PPE has traditionally been disposable. The gowns are made of paper with a plastic backing. Now we are sewing reusable cloth gowns, made of cotton. If there is any silver lining, it’s that we needed to slow down and create clothing that is ethically sourced and consciously produced. The fashion industry can aggressively take steps to improve fashion sustainability.

PSR: The PPE you are sewing is made of reusable cotton fabrics, none of which are medical grade. Multiple reports suggest that the Trump administration not only failed to prepare hospitals and essential frontline workers with life-saving equipment, including N95 respirator masks and ventilator machines, but they also rejected offers from medical supply manufacturers. What is your response to this? 

Carla Bellisio: I’m reluctant about it. The masks and gowns I have sewn are not surgical, medical-grade. These are not N95 masks; they are cloth. I was happy to make cloth facemasks for my friends and neighbors. I wanted them to feel protected going to the grocery store. It’s unnerving that artists and designers are making PPE for medical workers. We are making these items in our apartments, not sterile spaces. If hospitals had steady supplies of the proper medical equipment, many lives could have been saved.

PSR: Both President Trump and Vice President Pence have faced criticism for rejecting the recommendations of the CDC and their own administration’s counsel to wear face masks in public spaces. In New York, all residents over the age of two are mandated to wear a mask or cloth face-covering in public. Last week, Mayor De Blasio announced that the city will distribute 7.5 million face coverings to New Yorkers in select locations. What is your response? 

Carla Bellisio: I think the mandate is a good idea, but only paired with the free mask initiative. When I began making masks there was a lot of conflicting information about the efficacy of wearing them, but overall they do provide protection. By mandating their use, I think it emphasizes the need to be smart about wearing PPE, but providing free masks is crucial.  One of the reasons I don’t charge for masks is because I know how important it is for everyone to have a base level of protection. I try to make it easy for my community to access them. I will keep sewing masks as long as people need them.


SUPPORT PARK SLOPE READER – KEEP US FREE AND LOCAL

During this time of uncertainty, we at the Park Slope Reader are committed to continually serving our community. Please follow us each week as we catalog changes in our neighborhoods, while providing the latest medical developments and valuable resources. Park Slope and adjoining areas are unique to the New York City landscape, and we will continue highlighting our neighbors through weekly editorials. This is a challenging and historic time; please know we are committed to getting through this together. 

We want to know how the coronavirus pandemic is affecting you. If you have a story to share please contact us at office@psreader.com. 

Filed Under: Pandemic Diaries Tagged With: julia depinto, pandemic diary

Pandemic Diary IV- Local Business Owners Fight for Rent Relief and Official Representation

April 28, 2020 By Julia DePinto Filed Under: Pandemic Diaries Tagged With: julia depinto, pandemic diary

The novel coronavirus pandemic began as a public health emergency and quickly spiraled into an economic catastrophe for many residential and commercial renters in New York State. Since mid-March, 1.4 million New Yorkers have filed for unemployment benefits, overwhelming the Department of Labor, and contributing to the worst economic crisis since the Great Depression. For small business owners living in the metropolitan epicenter of the pandemic, the economic shutdown has shuttered their industries and caused tensions with property owners to paramount. The staggering financial losses and absence of federal support have forced many to confront the harsh realities of terminating longtime employees, falling behind in rent payments, and closing their storefronts permanently. 

“98% of the businesses in New York City employ 100 or less people. They’re all small businesses,” said Diana Kane in an interview with ABC News. “New York will be a wasteland if we don’t figure this out.”

Kane, a Park Slope resident and owner of the brick and mortar shop, The Diana Kane Boutique, has been selling small designer, sustainable clothing collections, and handmade accessories since 2002. Small companies like Kane’s, employ more than half of New York City’s private sector workforce, strengthening the state’s economy and contributing to the culture and unique fabric of New York City. Recently, Kane and a coalition of local business owners launched the grassroots movement #WeBuiltThisNYC to bring attention to the plight of small businesses devastated by the economic shutdown. 

Photographs of small business owners wearing surgical masks and cloth face coverings are routinely updated on the initiative’s Instagram page. The owners, standing in front of their locked stores and boutiques, hold signs that read, #WeBuiltThisNYC and #WeBuiltThisBrooklyn. Their personal testimonies circulate through the app’s transient “story” feature; and joint posts demanding rent relief, lease renegotiations, and demands for government action are marked with the hashtags, #Recovery4All, #bettertogether, and #MAYDAY. 

Many of the businesses featured in #WeBuiltThisNYC are owned by women.

While some states have begun slowly reopening their economies, New York State remains under strict stay-at-home mandates. The aggressive measures taken to flatten the curve, are showing to be effective in reducing the spread of the virus; and are ultimately reducing the number of deaths per day. In a recent news briefing, Governor Cuomo sketched out the framework for reopening non-essential sectors of the state, beginning with construction and manufacturing in upstate New York before moving to the metropolitan area. 

“I hear sirens every night,” said Kane. “I think being closed is totally appropriate right now, so I agree with being closed. I don’t agree with having to go out of business because of it.”  

The Park Slope Fifth Avenue Business Improvement District recently reported that roughly 90% of the 500 businesses they represent are closed. 

Fonda, the owner of the Zuzu’s Petals, said that economic shutdown, including an inadequate amount of federal assistance and the accumulation of bills, is jeopardizing her business of 49 years. Her flower shop, in the heart of Park Slope, was shuttered on March 22, following Governor Cuomo’s Executive Mandate to close all non-essential businesses. 

“We have no income,” Fonda said. “Our rent and some bills, including utilities, insurance, and taxes have been temporarily suspended. The debt is accruing and will have to be paid when we re-open.”

The Paycheck Protection Program (PPP) was created with the intent of providing business owners with forgivable loans, but flaws in the program have hindered some small businesses from securing federal relief. The PPP’s initial $349 billion allotment for federal relief was exhausted within two weeks. Both the Senate and House have approved a second relief package of $310 billion. 

“I have applied for the PPP and the EIDL (Economic Injury Disaster Loan) from the Small Business Administration,” said Fonda. “I have received no funds. If I am approved for either loan, the money will be insufficient and will not cover the accruing debt. In order to have the loan converted to a grant, 75% of the PPP must be used for payroll. That leaves next to nothing for rent.” 

In an Instagram video, Tara Silberberg, owner of The Clay Pot in Nolita explained her situation. 

“Our Business Interruption Insurance will not cover us in this pandemic, and even when we reopen we don’t expect our sales to be the same,” said Silberberg. She paused before adding, “I was told by Chase that I did not get my PPP loan, and we have to pay our rent on May 1. My rent is $20 thousand a month and my landlord refuses to negotiate with me. He says the rent can be deferred and I will just pay it amortized out over the rest of the year. I can’t get unemployment so I will be forced to borrow money to pay my landlord the rent.” 

The Clay Pot has been in Silberberg’s family since 1969 and has employed thousands of New Yorkers over the years. Originally a pottery studio rooted in the heart of Brooklyn, the business evolved into a jewelry store after the stock market crash of 1987. 

The founders of #WeBuiltThisNYC are now turning to local politicians for help. In an email to Council Member Brad Lander, Kane explains the challenges looming over business owners. 

“Our landlords continue to expect full rent,” Kane wrote. “I received a letter from my landlord demanding back rent, with the addition of late fees and legal fees. While I know some landlords have been more understanding, this is awful added stress in an already disastrous moment. Though I applied for the EIDL, I have received nothing, and no further communication after submitting my application.” 

We asked Fonda of ZuZu’s Petals what she misses the most about pre-pandemic times. 

“I miss my job,” said Fonda. “I miss going to the wholesale market early in the morning and loading my arms with fabulous fresh cut flowers from all over the world. I also miss helping customers chose the right combination of flowers and the proper houseplants. I miss oohing and aahing with them over an incredible piece of handmade pottery. These are the things that I miss.”

A Note from the Editor: 
The Park Slope Fifth Avenue Business Improvement District has created a comprehensive list of local businesses that are open amid the pandemic, including essential proprietors and online venders. Out of the 500 retailers that the BID represents, almost 90% have closed. Please continue to buy local when possible. 


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Filed Under: Pandemic Diaries Tagged With: julia depinto, pandemic diary

Pandemic Diary III – Gentrification During the Pandemic Targets Gowanus Artists

April 21, 2020 By Julia DePinto Filed Under: Pandemic Diaries Tagged With: julia depinto, pandemic diary

Story update as of April 22: “The landlord will be able to provide an extended move-out period, with a final move out date that is 30 days after the lifting of the NY Pause mandate by Governor Cuomo. Currently, this is in effect until May 15th, which extends the move out until June 15th. We will be working closely with the landlord as things evolve. Since Spaceworks still must close operations, Spaceworks’ agreements will still be terminated on May 31, 2020.”

In the height of the global coronavirus pandemic, a group of Gowanus-based artists, working out of an old sweater factory on President Street, are once again falling victim to gentrification and facing displacement.

“Artists are foot soldiers for gentrification,” said Johnny Thornton, an established Brooklyn artist and Executive Director of the not-for-profit organization, Arts Gowanus. “They move into disused neighborhoods and they build communities. Developers come in and raise the rent so much that they are forced to relocate. This is nothing new.”

540 President St Building

Spaceworks, a nonprofit organization and affiliate of the old factory building, operates below-market-rate workspaces and addresses issues of space affordability for artists living and working in NYC. On March 31 Spaceworks announced the untimely decision to shutter their organization, terminating rental contracts with artists and evicting those with rental properties at 540 President Street. The decision to close their doors came after the economic shutdown of New York State, and during the greatest unemployment crisis in US history. 

In a statement, Spaceworks suggested that the decision to close their doors was made in part from mismanagement of the charitable organization; lacking the sustainability model that the business was built upon.

“Thousands of artists have created countless works in our spaces. Ultimately, we could not create a path that would enable Spaceworks to achieve short or long-term financial stability given our organizational model and operating constraints.” 

Johnny Thornton

“Spaceworks told us that after May 25th we would no longer be able to access the building via our entry cards,” Thornton said. “Moving a studio is not a small undertaking. Many of our artists are freelancers and gig workers; all of their work has disappeared. They’re struggling financially. Asking anyone to move during a pandemic is unethical.”

The announcement of Spaceworks departing blindsided the contracted artists, living in the epicenter of COVID-19 cases. The news came a few weeks after Governor Cuomo signed the “New York State On Pause” Executive Order, a 10-point policy closing all non-essential sectors of the state’s economy. The state mandate, signed on March 20, includes a 90-day moratorium on all residential and commercial properties and restricts landlords from evicting tenants and illegally changing locks. 

“Spaceworks wants the quickest and cheapest way to disband,” Thornton said. “They want us out of the building but without any legal ramifications.”

On April 16, Arts Gowanus, a nonprofit organization that promotes local artists and advocates for sustainable arts communities in Brooklyn, published a newsletter desperately urging real estate developers and property owners to help relocate the newly evicted artists. The newsletter explains that neither Spaceworks nor the property owners, PDS Development Corporation, can guarantee that artists unable to move before the deadline of May 25th will have access to their property in the following weeks.

“Artists and developers typically have a symbiotic relationship, so we reached out to the development company,” Thornton said. “We  (Arts Gowanus) offered to take over Spaceworks’ lease so that artists wouldn’t be evicted. The mission of Arts Gowanus is to keep artists in Gowanus and to stop developers from pushing them out. The model that they (PDS) offer is not sustainable.” 

Thornton contacted Tomasz Naklicki, a real estate developer at PDS. According to Thornton, Naklicki showed no remorse for the dismantling of Spaceworks, nor did the company show any compassion for the artists who are being illegally locked out of their studios and forced to relocate during state-mandated stay-at-home orders. 

“It was the same cold language that I’ve heard from other development companies and property owners,” Thornton said. “They want to remodel and remake the space. There was absolutely no regard for our safety.” 

Rachel Selekman

“The development company is not willing to speak with us,” said Rachel Selekman, a mixed-media artist and longtime resident of 540 President Street. “They’re not willing to negotiate. It’s very clear that they aren’t concerned for the health or wellbeing of artists.”   

Selekman explained that many of the renters of 540 President Street began working from home after learning about the severity of the novel coronavirus outbreak is in NYC. 

“A few weeks ago I went to my studio for the last time,” Selekman said. “I want to decrease exposure for myself and for others.” She paused before adding, “We know of one artist who has COVID-related pneumonia.” 

Thornton also expressed concern for the community of 540 President Street.

“This virus is a real detriment to anyone with a compromised immune system. This is about life and death. It’s just not safe for anyone to be moving,” Thornton said. “They (landowners) are hemorrhaging artists. They would rather have empty studios than to offer a subsidy for artists facing an inconceivable situation. My hope is that some sort of concession can be made with PDS without endangering anyone’s life.” 

PDS Development Corporation did not respond to Park Slope Reader’s request for comment.


During this time of uncertainty, we at the Park Slope Reader are committed to serving our community. Please follow us each week as we catalog changes in our neighborhoods while providing the latest medical developments and valuable resources. Park Slope and adjoining areas are unique to the New York City landscape, and we will continue highlighting our neighbors through weekly editorials. This is a challenging and historic time; please know we are committed to getting through this together. 

We want to know how the coronavirus pandemic is affecting you. If you have a story to share please contact us at office@psreader.com. 

Filed Under: Pandemic Diaries Tagged With: julia depinto, pandemic diary

Pandemic Diary II – Identity & Unemployment: A Conversation with Maya McCarthy

April 14, 2020 By Julia DePinto Filed Under: Pandemic Diaries Tagged With: julia depinto, pandemic diary

“I’ve always worked in factories,” said Maya. “I’ve done this since I was 20 years old, and I’ve never really done anything else. I’ve just always done this. It’s very much a part of my lifestyle.” 

Maya McCarthy, 34, is a Brooklyn-based professional artist and self-described, “punk-rocker.” A native to Brooklyn and a child of artistic parents, Maya has always lived and worked in art communities. Gowanus Print Lab, a commercial screenprinting studio, has become a second home to Maya.  She works as a Master Printer, specializing in custom and bulk orders. 

“We’re a cultural enrichment shop,” Maya told me. “We serve clients who need contract-printing services like company t-shirts or paper products printed; but we also serve children, families, and other artists. We offer a variety of classes and supplies for artists. Workspaces like GPL are really fundamental to culture.”

Maya’s daily routine was disrupted in early March, soon after New York Governor Andrew Cuomo confirmed the state’s first case of the novel coronavirus. While New York officials determined that the spread of the virus was inevitable, Governor Cuomo, in a statement, assured the public that the patient “knew to take precautions and stay in a controlled situation.”  

“I didn’t really think much of it at first,” said Maya. “I was still wandering down 5th Avenue and going to punk rock shows after my shifts at the print shop. Around the second week of March, our clients began pulling large orders. That’s when I realized how serious this would become.”  

On March 20th, Governor Cuomo issued an On Pause executive order, mandating restrictions to social gatherings and the closing of all non-essential businesses across New York State. The 10-point policy measure was created to assure uniform safety for all New Yorkers and to keep healthcare services available for patients who tested positive for the virus.

“It all happened very quickly,” Maya said. “I put away my inks and organized all of my (silk) screens. I locked the door and that was it. I left without knowing when I would be able to return.”

Like millions of Americans, confronted with furloughed salaries, indefinite unemployment, and stay-at-home mandates, Maya is also facing the loss of income and instability. The halt in her career and interruption to lifestyle is met with an overwhelming sense of confusion and profound unease. 

“My identity is so tied into my job that it is tattooed on my neck,” said Maya. She pauses for a few moments before adding, “This has really affected me emotionally. I want to serve a purpose and be useful.”

Serigrafía, the Spanish translation of serigraphy or silkscreen can be read across Maya’s neck. The delicate cursive letters, blending permanently into her skin, convey an obvious and poignant personal narrative. A silkscreen and the physical act of screenprinting are fundamental to her identity as an artist, while the tattoo serves as an anchor for her individuality. 

State Governments have cautiously shut down many sectors of the economy, leaving over 16 million Americans unemployed and contributing to the worst financial crisis in US history. Many New Yorkers have gone weeks without a paycheck, while a surge in unemployment claims overwhelms the Department of Labor. New York State’s online application system is waiving the 7-day waiting period for Unemployment Insurance benefits for those out of work due to novel coronavirus closures, self-quarantines, and stay-at-home orders. A bipartisan $2 trillion economic relief package, recently passed by Congress, offers assistance to tens of millions of individuals and households affected by the pandemic. The historic extension of unemployment benefits includes expanded unemployment insurance, a one-time stimulus check, and low-interest loans and grants for businesses. 

“The subsidies will help me pay rent and buy food but they aren’t enough to keep everyone moving,” said Maya. “They’re not enough for people who have kids; a lot of people are still waiting on the deposits. This hurts us all.” 

As of Monday evening, April 13, health officials have laboratory-tested and confirmed 104, 410 cases of COVID-19 in the five boroughs, and 195,031 cases in New York State. New York City remains the epicenter of the global pandemic, with a state death toll of more than 10,056. In a news briefing, Governor Cuomo announced that he is extending the executive order, “New York State on Pause” through April 29. While the economic shutdown is slowing the spread of the virus, it offers little hope for essential workers who are at the greatest risk of exposure.

“Essential workers are the most affected,” Maya told me. “They don’t all have the resources to protect themselves or their families, and they’re not being compensated enough. They should be paid more. It’s appalling that people have to compromise their health just to keep their jobs and pay their bills. People are negotiating on so many levels. There’s no fucking easy way to do this.”

I asked Maya if anything has kept her hopeful during this dark and ominous time.

“Yes,” said Maya. “People are connecting and uniting on a true grassroots level. They’re donating food and resources; they’re making masks for essential workers; they’re grocery shopping for the elderly. People are doing what they can to help small businesses stay afloat. There are “mutual aid” groups on Facebook for almost every Brooklyn neighborhood. It’s really inspiring to see people connect with strangers. It makes me smile through the madness.” 


https://www.gofundme.com/f/park-slope-reader-covid19-relief

During this time of uncertainty, we at the Park Slope Reader are committed to continually serving our community. Please follow us each week as we catalog changes in our neighborhoods, while providing the latest medical developments and valuable resources. Park Slope and adjoining areas are unique to the New York City landscape, and we will continue highlighting our neighbors through weekly editorials. This is a challenging and historic time; please know we are committed to getting through this together. 

We want to know how the coronavirus pandemic is affecting you. If you have a story to share please contact us at office@psreader.com. 

Filed Under: Pandemic Diaries Tagged With: julia depinto, pandemic diary

Ghost Bikes: A History of Grief and Activism

April 9, 2020 By Julia DePinto Filed Under: Community Tagged With: ghost bikes, julia depinto

Rachel Grobstein, Ghost Bike

On a late spring morning taxis accelerated and commuters hurried down the street while she was making her way to work. The earth was tilted toward the sun, approaching its solstice beneath golden rays that take their time in leaving.

It was a Thursday. She took no time at all in leaving. It was a moment that forever changed our lives.

Her name was Elizabeth.

She was 28 years old.

Sara Padilla posted these words to her blog on June 8, 2015. Ten years after the death of her younger sister, Liz. 

On the morning of June 9, 2005, Liz Padilla, a pro-bono lawyer, was killed near the corner of 5th Avenue and Prospect Place during a routine bike commute through Park Slope. Padilla, who lived on Berkeley Place, attempted to pass a 10-wheel Edy’s Ice Cream truck, when the driver of a parked P.C. Richards truck carelessly opened his car door. Swerving to avoid the open door, Padilla hit the side of the moving ice cream truck, and fell beneath the vehicle.  Kevin Caplicki, a member of the art collective Visual Resistance was also biking down 5th Avenue that morning, when he happened upon Liz’s body. The following day the art collective built a “ghost bike” by stripping a discarded bicycle down to the skeletal metal frame and painting it white. They chained the bike to a corner post near the collision site and hung a wooden tomblike plaque that read: 

Liz Padilla

28 years Old

Killed By Truck

June 9, 2005

Rest in Peace

The ashy white bike installation was a shell, a haunting symbol of a senseless loss, but it was also poetic; it told the story of Liz Padilla’s life and the pain that lingered after her death. It became a powerful symbol on an anonymous residential intersection. It was also the first ghost bike to be installed in NYC. 

Lauren Davis’ (Ghost) Bike

Ghost bikes first appeared in St. Louis in 2003 after bike mechanic, Patrick Van Der Tuin, witnessed an accident near his home. The original project, Broken Bikes, Broken Lives, marked the sites of bike-related fatalities and non-fatal injuries.  Van Der Tuin viewed the bikes as tributes to the victims, while also serving as powerful public signifiers of the dangerous conditions that cyclists are subjected to every day. They brought consciousness to car-culture, poorly designed streets, lack of bike lanes, and the overall vulnerability of riding unsheltered. Van Der Tuin sparked a national conversation through what some cyclists and city officials argued was a subversive act, in the same vain as guerilla street art. Van Der Tuin’s first created bike was removed within 24 hours of installation. 

The term “ghost bike” was coined in Pittsburg by a small group of cyclists and activists who picked up the momentum of installing white bikes in Pennsylvania. Following the death of Liz Padilla, the group registered ghostbikes.org, eventually bringing the movement to New York City. In 2007 the NYC Street Memorial Project was developed to include both cyclists and pedestrian deaths, while also cultivating community and compassion for survivors and families of the victims. The grassroots group, NYC Ghost Bike Project, established alongside the NYC Memorial Street Project, erect the bike monuments and organize memorial rides and walks to highlight prevalent safety issues. 

Liz Padilla’s original Ghost Bike on Prospect Place near Fifth Avenue in Park Slope, Brooklyn, not far from scene of the accident, 2005; NYC Street Memorial Project (© All Rights Reserved)

Although Patrick Van Der Tuin’s initial white bike was removed, his activism generated a global movement. In a 2015 Grist report, he states, “I don’t think anyone does something like this with the intention of it becoming a model that is repeated and taken around the world on such a grassroots level.” He notes that families of the victims and community members often turn the ghost bikes into ad hoc sanctuaries, adorning them with flowers, candles, articles of clothing, and other objects that belonged to the departed. Van Der Tuin’s says that the bikes “were never designed or intended to become permanent memorials, but that is what those families have turned them into.” Now visible in over 200 major cities throughout the world, ghost bikes provide inclusive spaces that allow the public to mourn and work through trauma.

For many years local businesses and community members preserved Liz Padilla’s ghost bike. It became a makeshift shrine, decorated with flowers and letters. Sara Padilla wrote a “reaction” to her sister’s bike memorial:

“While words cannot adequately convey the depth of our loss, I believe the Ghost Bike Project makes a difference by providing a powerful visual image of a life taken from us senselessly and also by revealing our sadness publicly; in the hope that others – cyclists, pedestrians, and most importantly, drivers, will help prevent these accidents from happening again.”

Liz’s ghost bike memorial has since been removed.  

Since June 2005, 164 ghost bikes have been installed in NYC to commemorate 198 fatalities, including 54 unknown cyclists. The NYC Street Memorial Project exposes the vulnerability of cyclists and pedestrians and considers the fragility of life for all who share the road. 

Brooklyn-activist and member of the NYC Ghost Bike Project, Mirza Molberg, previously restored Liz Padilla’s ghost bike by painting over years of rust, dirt, and grime. As a dedicated cyclist himself, Mirza installed his first ghost bike in 2011, coinciding with the Occupy Wall Street movement. He attended memorial rides and bike lifts for fallen cyclists; listening to the families of the victims tell their stories over a shared sense of outrage for the countless number of preventable deaths. At times, Mirza questioned the practicality of the project and his involvement. This changed in 2016 when his life was transformed by the loss of his partner, Lauren Davis. 

Mirza Molberg

Lauren’s death shocked the public. A reckless driver failed to yield, striking her in a designated slow zone. Family members held a memorial service for Lauren at Greenpoint Reformed Church and organized a memorial ride, led by Borough President Eric Adams. The night of Lauren’s passing, Mirza rode his bike to the collision site, only to realize that there was no evidence of the accident. In a way, it felt like she was invisible. He collected her mangled bike from the local precinct, painted it white, and installed it at the corner of Classon Ave. and Lexington Ave. Mirza explains how Lauren’s death made the ghost bike project more meaningful. He says, “Making the ghost bikes is something that I am now completely embedded in. It’s more present and real and necessary. I ride more carefully, knowing that this could happen to anyone at any time.”

We asked Mirza what he believes can be done to make the streets safer for cyclists and pedestrians. He replied, “It’s hard to implement street safety without the help of politicians and advocacy groups like Transportation Alternatives and Families for Safe Streets. They have really helped change the laws. Bloomberg and de Blasio have helped improve street safety by creating projects like Vision Zero to end all deaths, but the improvements aren’t throughout. The DOT (NYC Department of Transportation) could still paint more bike lanes and there could be better road structure in all the boroughs.” Despite the efforts of Mayor de Blasio and City Council to improve conditions for cyclists, 2019 had a drastic increase in bike-related deaths. 29 fatalities occurred, almost tripling the death toll of 2018. He ends with, “What we need is a fundamental change to car- culture.”

Since June 2005, 164 ghost bikes have been installed in NYC to commemorate 198 fatalities, including 54 unknown cyclists. The NYC Street Memorial Project exposes the vulnerability of cyclists and pedestrians and considers the fragility of life for all who share the road. 

For more information, including ways to donate, please visit: streetmemorials.org and ghostbikes.org

For information on upcoming workdays, follow: @nycghostbikes (FB) and @nycstreetmem (IG)

Filed Under: Community Tagged With: ghost bikes, julia depinto

Pandemic Diary I- I Knew I Would Get It: A Conversation with Dr. Dara Kass

April 7, 2020 By Julia DePinto Filed Under: Pandemic Diaries Tagged With: julia depinto, pandemic diary

 “Once it came to New York, I knew I would get it,” said Dr. Dara Kass, an Emergency Medicine Physician in Manhattan’s New York-Presbyterian Hospital, and Associate Professor of Emergency Medicine at Columbia University Irving Medical Center. The Park Slope resident and mother of three, is working on the frontlines of the novel coronavirus pandemic in New York City. The highly contagious respiratory illness, coronavirus disease 2019 (COVID-19), was first identified during an investigation into a coronavirus outbreak in Wuhan, China, with the first case dating back to November 2019. 

“This is running like wildfire through our city and we’re seeing younger generations test positive for infection,” Kass said. “The level of impact is unlike anything we’ve ever seen.”

Kass tested positive for COVID-19, after caring for patients in the ER. A few weeks later, news broke that the New York metropolitan area, surging in novel coronavirus cases, had emerged to the epicenter of the global pandemic. By March 31, New York City had topped over 38, 000 confirmed cases of the infection. The Trump Administration’s lack of preparedness, including budget cuts for the Centers for Disease Control and Prevention (CDC) and allowing for a contract to lapse, maintaining stockpiles of ventilators, has fundamentally contributed to the spread of the COVID-19 pandemic. Hospitals throughout NYC are overrun with an influx of infected patients and strained by the limited resources available. Shortages in test kits, personal protective equipment, and life-saving ventilator machines are making both patients and medical personnel vulnerable to infection. In many ways, the Federal Government, lacking a uniform response to the novel coronavirus, set up the healthcare system for failure.   

As a native New Yorker, Dr. Kass has lived and worked through some of the city’s greatest catastrophes, including the coordinated terrorist attacks of September 11 and the unprecedented flooding of Hurricane Sandy. 

“This is a continuous thing,” Kass said. “These other events, like 9/11, were traumatic, but this is much bigger and riskier to people’s lives. It’s very dangerous and unpredictable. It will keep infecting people.”

Dr. Kass watched as the coronavirus spread throughout China, Asia, and Europe, planning for when the virus would eventually come to NYC. 

 “We had to mobilize quickly,” Kass explained. “We were all thinking about policy, and we didn’t know exactly how it would come to NYC, but we knew that it would come and that we would see it through. I sent my kids to stay with family.” 

After testing positive for COVID-19, Dr. Kass took drastic measures to protect her husband. She wore a mask indoors while quarantining herself in a separate living area of their home. She was able to continue assisting her patients remotely through telemedicine, a medical practice that relies on technology to connect patients and physicians without in-person visits. 

The state mandate to close all non-essential businesses and NYPD enforced social distancing guidelines, are part of Governor Andrew Cuomo’s stay-at-home executive order, termed “New York State on PAUSE.” New data offers evidence that vigilant measures, including restrictions to social- distancing and non-essential gatherings, are slowing the spread of the virus.

“Flattening the curve keeps our hospitals open,” Kass explained. “What we know is that a vaccine will take about a year to develop, but until then, we have to stop people from getting infected.” She added, “Cuomo has been extraordinary. He is exactly what we need. He has treated the New York hospital systems as a whole, and I look forward to his press conferences every day. He has really been remarkable.” 

In a New York Times feature, Dr. Kass and her co-authors urge government officials and authorities to make mask-wearing a national policy. The editorial explains that in a randomized control trial, participants who wore a surgical mask were 80% less likely to contract a respiratory illness. Kass and co-authors ask the public to restrict buying N-95 masks while offering resourceful alternatives, including cloth masks and handmade face coverings. While surgical masks should be given to workers in essential jobs, cloth masks can reduce the viral spread of the virus and avoid a second wave of infections. 

Recently, President Trump announced in a news briefing that new guidance from the CDC urges Americans to wear cloth face coverings in public. President Trump rejected the advice from the CDC and his administration’s counsel, by adding,  “This is voluntary. I don’t think I’m going to be doing it.”

At the time of publication, New York State has  123,160 laboratory- tested and confirmed cases of COVID-19, including 4,159 deaths. There are 67,551 cases in the five boroughs. 

16, 479 New Yorkers are currently being hospitalized throughout the state. 

Although Dr. Kass has made a full recovery from COVID-19, she is planning to move out of her home for the duration of the pandemic. The decision was made in part to protect her family, and also to be readily available for her patients and colleagues. 

Dr. Kass and her husband wearing one of Diana Kane’s homemade masks

I decided to ask Dr. Kass something that I’ve wondered about regarding all medical professionals and essential workers: has the coronavirus pandemic made her regret going into the medical field.

“No, not even a little bit,” she told me. “I did my job, and I’m going to go back to do this job until the end. Emergency medical people live for this. This will always be who we are.”


Dr. Dara Kass (@darakass) is an ER Doctor, Professor of Emergency Medicine, public speaker, political activist, and founder of FemInEM, an online platform that cultivates a community for females working in emergency medicine. 

For information on cloth masks in Park Slope: Diana Kane https://www.dianakane.com/products/liberty-print-mask

https://www.gofundme.com/f/park-slope-reader-covid19-relief

Filed Under: Pandemic Diaries Tagged With: julia depinto, pandemic diary

Park Slope Pandemic Diary

April 2, 2020 By Julia DePinto Filed Under: Community, Pandemic Diaries Tagged With: community, covid 19, julia depinto, pandemic diary

To Our Readers and Park Slope Community, 

By now, you are familiar with the novel coronavirus. You’ve read about its emergence in Wuhan, China and watched it spread to South Korea, Japan, and Thailand. You’ve learned that President Trump restricted travel to China a few days after Italy detected its first coronavirus case. You’ve watched the Italian Prime Minister announce a nationwide lockdown, followed by chilling videos of panicked and quarantined residents. You’ve listened to their stories, a disturbing foreshadow of the inevitable. “Don’t say you weren’t warned,” they cautioned Americans. 

On March 11, The World Health Organization declared the rapidly spreading coronavirus a global pandemic. After learning this, you probably read the CDC’s recommendations for self-preparedness and researched ways to counter infection. You may have listened to “Ask the Mayor” segments on The Brian Lehrer Show, trusting Mayor de Blasio to keep a sense of normalcy while your world quickly began to unravel. Within a matter of days, your neighborhood was unrecognizable. Your neighbors have left indefinitely, playgrounds are empty, the windows of boutique shops are boarded up, and your favorite café is only serving drip coffee in a to-go cup. As a New Yorker, you’re used to sacrificing your privacy and coexisting in shared spaces, but now what? Now you are on “Pause,” and mandated to practice social distancing in all public places. Recently, you have probably read a headline in all caps: BREAKING NEWS–U.S. LEADS WORLD IN CONFIRMED CORONAVIRUS CASES. 

During this time of uncertainty, we at the Park Slope Reader are committed to continuing to serve our community. Please follow us each week as we catalog changes in our neighborhoods while providing the latest medical developments and valuable resources. Park Slope and adjoining areas are unique to the New York City landscape, and we will continue highlighting our neighbors through weekly editorials. This is a challenging and historic time; please know we are committed to getting through this together. 

Lastly, we want to know how the coronavirus pandemic is affecting you. If you have a story to share please contact us at office@psreader.com. 

In Solidarity,

PSR 

Filed Under: Community, Pandemic Diaries Tagged With: community, covid 19, julia depinto, pandemic diary

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