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Friends & Neighbors

Bridges of Connection

March 31, 2025 By Meredith Katibah Filed Under: Friends & Neighbors

A Century of Immigration Stories

While the quickest way from one point to another is a straight line, the connection is nevertheless meaningful, even if it contains a few twists and turns. One of our society’s most historically powerful tools of connection is the structure of the bridge, facilitating the cross over chasms of division between locations, people, and cultures. When bridges extend between cultures, I believe everyone’s life can be enriched by learning from others who are different from them. 

Cycles of Storied Oppression and Connection

Immigration Series Part 1 

Our neighborhood, in particular, is a beautiful pocket of NYC with cultural bridges crossing between streets, restaurants, and businesses all over Park Slope due to its rich immigration history. Consider this the first installment in a series to explore the history of immigration in NYC through a wide-angle lens, with a zoom into, Park Slope, and how cycles of immigration laws have looped back to oppressive patterns. 

Looking back, we know that in the mid-1890s, a small community of Syrian-Americans and Lebanese-Americans were settling on and around Atlantic Avenue and opened stores, churches, and shops. Once a new subway line, the current-day R train, was established, it served as a bridge between Manhattan and Brooklyn Heights thus accelerating the growth of Brooklyn’s Arab-American community. 

My great-grandfather was among those Syrian immigrants, as he arrived at Ellis Island on the S.S. La Lorraine in 1920 at the ripe age of 16. His father told him to travel to America because it was the “land of opportunity.” He clung to his father’s advice, leaving his familiar life behind, and traveled with others from the city of Al-Nabek who had similar dreams of exploring new opportunities in America. 

On the day he arrived to New York, his name, “William Katbe” and other personal information was typed out into small boxes on the “Arriving Passenger and Crew Lists” sheet on Ellis Island. Although a seemingly confined space, those small boxes indeed actually symbolized freedom and liberation for so many people. 

William’s final destination was Jacksonville, Florida, where he opened a grocery store surrounded by a community of Syrian friends and family, but his story of immigration and arrival to NYC wildly changed the course of his life, and all of his descendants, including mine. 

Nearly exactly 100 years later, I followed my great-grandfather’s footsteps and arrived to New York City, albeit by plane rather than boat. Three generations of challenges and triumphs ensued to bestow me with the opportunity to move to Park Slope. 

Countless other families have similar stories of immigrating to NYC. In 1910, 75% of NYC’s population were immigrants or first generation Americans. Soon thereafter, the first widely restrictive immigration law was enacted in 1917 which implemented a literacy test to demonstrate basic reading comprehension. A few years later, the Johnson-Reed Act, otherwise known as the “Immigration Act of 1924” limited the number of immigrants allowed entry into the United States through a national origins quota and also excluded immigrants from Asia entirely.

The repetitiveness of history can often be a cruel reality. 100 years after the Immigration Act of 1924, the current administration is now imposing oppressive immigration laws once again. On Trump’s first day in office, he issued the “Protecting the American People Against Invasion” executive order which included a slew of directives. One of which is to end birthright citizenship for children of undocumented immigrants and for people with temporary status, which undercuts over 125 years of precedent of unrestricted birthplace-based citizenship. 

The order states a child must have at least one parent with United States citizenship or a green card in order to be born a United States citizen. The day the executive order was released, U.S. District Judge John Coughenour became the first to block it, with other lawsuits quickly following suit. 

The ramifications of this executive order would mean future generations of children would be denied the right to vote, the ability to hold certain jobs, and access basic healthcare, all even though they were born in the United States. 

While the quickest way from one point to another is a straight line, the connection is nevertheless meaningful, even if it contains a few twists and turns. One of our society’s most historically powerful tools of connection is the structure of the bridge, facilitating the cross over chasms of division between locations, people, and cultures. When bridges extend between cultures, I believe everyone’s life can be enriched by learning from others who are different from them. In 2011, nearly 40% of people living in Brooklyn were foreign-born. In the Park Slope-Gowanus area specifically, 12,255 people were foreign born out of 

the total of 72,311. Thus 16.9% of the our residents in our neighborhood were foreign born roughly years ago. 

In the next installment of this series, we’ll highlight a few small businesses and organizations run by our immigrant community members because our neighborhood would not be the thriving community it is today without all of the cultural bridges that have been built over the span of decades. In times like these, it’s valid to feel enraged, frustrated, or hopeless at the policies that are stripping people of their rights. However, unity is a powerful force and I believe that we are truly stronger together. 

Simultaneously, Park Slope is full of organizations that are dedicated to supporting our community. If you are interested in joining these efforts, and have the capacity and resources to do so, please consider volunteering or donating to the following organizations. 

CHiPS, a food pantry and soup kitchen, located at 200 4th Avenue, is always seeking spanish-speaking volunteers. If you’re interested in volunteering, you can contact Melissa Newkirk at volunteer@chipsonline.org. They also accept shelf-stable food items such as instant ramen noodles, tortillas, cereals, peanut butter, and jelly between 9 a.m. – 2 p.m. from Monday through Saturday. 

Gowanus Mutual Aid defines mutual aid as a group whose members strive to create solidarity among community members by supporting each other’s needs. They believe in solidarity, not charity and all activities are member run and free to access. They are always looking for seasonal and essential items such as clothing, toiletries, and strollers. Contact gowanusmutualaid@gmail.com to work with neighbors including food distribution opportunities and language support. 

Mixteca’s seeks to “enrich, equip, and empower the Latinx community in Brooklyn and beyond” by providing access to services that allow people to reach sustainable social and economic development. Located at 245 23rd Street, the Mixteca team offers programs to assist the specific needs of immigrant families and asylum seekers. If you’re interested in volunteering or donating to support their work, contact info@mixteca.org. 

For the second installment, we’ll be exploring stories of resilience and joy from our neighbors. In my humble opinion, we are only able to alienate another person when we do not understand them, and we cannot understand someone unless we give them the space and agency to share their story. Only then can we step outside our limited lived experience and walk across a bridge to someone else’s lived experience, resulting in a more connected and compassionate community for all. 

Filed Under: Friends & Neighbors

Slope Survey: Ann Cantrell

October 26, 2021 By admin Filed Under: Friends & Neighbors, Park Slope Life, Slope Survey Tagged With: Park Slope, park slope life, Slope Survey

The Slope Survey returns for its 21st installment with Ann Cantrell.: Ann Cantrell is the owner of Annie’s Blue Ribbon General Store, on 5th Avenue between President and Carroll, which celebrates its 14th anniversary in October. She lives in Park Slope with her husband, comedian Rob Cantrell, and their daughter, a 5th grader at PS321. Ann is also an Associate Professor at FIT specializing in Sustainability and Circularity and a passionate advocate for small businesses.

What brought you to Park Slope? 

The owners of Scaredy Kat contacted me about eight years ago when they were moving to North Carolina and wanted another independent store to take their 5th Avenue space.  I had opened Annie’s in Boerum Hill (after initially looking in Park Slope) and this was the perfect opportunity as we had wanted a larger space and had so many wonderful Park Slope customers. My family and I moved here four years ago and both professionally and personally, I love being part of this community! 

What is your most memorable Brooklyn moment?  

The most memorable moment is probably when we hosted our first Egg Hunt in the backyard at Annie’s. We had spread the word but didn’t know what to expect in terms of the turnout.  I remember arriving at the shop with a dozen homemade cupcakes to find a line of people stretching down the block waiting to get in (those cupcakes were gone in a minute!) Luckily, we had enough eggs and activities for kids, the weather was beautiful, and we met so many of our neighbors who come back for the Hunt every year (weather and pandemic permitting).

Describe your community superpower.  

I am a connector and always havae been. If you are a creator or perform a service and are passionate about it, I want to share your story.  I love supporting people who are doing their own thing and doing it well. From my very first business plans for Annie’s, 10 years before I opened, I always envisioned that it would be a place for connecting with the community. That’s what general stores were ꟷ meeting spots where you’d get to know your neighbors and find exactly what you need. I love bringing people together and helping them spread joy with the best gifts.

If you could change one thing about the neighborhood, what would it be?  

I love Park Slope just as it is but do wish the drainage systems could be improved.  Many of our neighbors suffered damaged from the flooding from Hurricane Ida.

What do you think Brooklyn will look like in 10 years?

I think Park Slope will always keep its charm and sophistication. Thanks to this great community, independent stores and businesses are alive and even thriving in these tough times. I hope that this vitality continues for the next 10 years and many more.

What are you reading, would you recommend it?  

Right now, I am reading Writers & Lovers by Lily King which was a gift from a friend (so far so good!).  We did a Summer Book Club at Annie’s which was fun, and I have been tearing through novels over the past few months and buy them at Community Books on 7th (see my next answer!). 

What is your greatest extravagance?  

FREE TIME! I am a shopkeeper, a professor (I teach full time at FIT), a mom, a wife, and a friend. When I make time for myself, I treat myself by buying myself a good book from Community Books.

If you couldn’t live in Brooklyn, where would you go?  

I can’t imagine not living here! My family absolutely loves Park Slope and know this is our forever home. That said, one of our favorite places outside of Brooklyn is Capitola, California. It’s an amazing small coastal town that we discovered and fell in love with on a road trip down California’s Route 1. We would love to spend more time there someday!

Who is your hero, real or fictional?

Anyone who has overcome adversity or hardship is a hero to me. I am constantly amazed by the will and determination of people to overcome tough times and it inspires me daily.

Last Word, What’s turning you on these days?

NATURE! I find inspiration through early morning walks, trips to the beach, and enjoying the four seasons. This cooler weather has me thinking about fall and hoping for a healthy and safe next few months.

Filed Under: Friends & Neighbors, Park Slope Life, Slope Survey Tagged With: Park Slope, park slope life, Slope Survey

The Business of Gentrification

August 30, 2016 By Ambika Samarthya-Howard Filed Under: Friends & Neighbors Tagged With: Beforeitsgone.co, Brooklyn, coffee, community, Flatbush, gentrification, local, neighborhood, Parkside, Prospect Lefferts Gardens

Gentrification: the process of replacing the poor population of a neighborhood with the affluent and reorienting the district along upscale lines.

When most of us think of gentrification, we not only mean that wealthier people are moving and displacing lower income people in specific neighborhoods, but we are often indirectly saying “white people are coming to replace a black neighborhood”. People joke that you know when a neighborhood is gentrifying when the first cupcake place opens, or when there are competing coffee shops serving pour overs. One friend marks it with the introduction of a Thai restaurant. Regardless, the businesses that arrive and thrive can signify a lot about your neighborhood.

Artwork by Daniel McCann

Before I start, I want to communicate two disclaimers:

1. As someone who moved to Brooklyn from Manhattan only a few years ago with my husband, both of us having full time jobs and holding graduate degrees, I identify as one of the gentrifiers.

2. A full comprehensive look at evolving businesses in Brooklyn would take several hundred pages. My handpicked few are merely a reflection of my personal taste.

Realizing the repercussions of our choices, specifically where we spend our money, many of us have strong opinions and loyalty about where we eat and drink. But it’s not so simple to make decisions along race, class, or even “how long have you been here” lines, as many new businesses are black-owned and historic shops not always are. And where does supporting female or small businesses play into the equation?

One place this intersectionality has shown its complex face is Prospect Lefferts Garden.

Take for example, Blessings Herbs & Coffee on Flatbush. The owner Lilian Bonafina, an Italian woman, opened the establishment two years ago after living in the neighborhood for x years. All the employees, including the co-owner, live in the neighborhood as well, and while other businesses have shut down and had to move out of the area, they have recently renovated and expanded to include a backyard space and will soon be open for dinner. The reason, in my opinion, is obvious: They know you there, and the customer loyalty has paid off. Lily knows everyone and on any afternoon is handling plates, talking to my son marking how much he’s grown, and quickly bagging up food when it rains.

Other places, like Delroy’s Café and Wine Bar and 65 Fen, a wine store and restaurant on Fenmore, also benefit from this street cred. Michel Campbell opened the wine shop seven years ago, and with its success followed with a wine bar two years later. He’s lived in the city 34 years, but doesn’t see the neighborhood as a gentrification project. When I asked him if he was feeling threatened by the new businesses he responded “You never feel secure, but I’m not threatened. I have knowledge as I’m entrenched in the neighborhood and have rent lower than most.” He talks specifically about the rise of stores and restaurants selling alcohol on Flatbush, but connects it to the state liquor authority needing more funds, not gentrification. Michael knows what wines I like and how to make my family feel at home.

But not all new businesses have found it so easy to build customer loyalty. Andy Charles, the owner of Greenhouse Café was forced to move his family out of the neighborhood from the economic pressures from his business. While Andy is Dominican and fits right into the predominantly Caribbean neighborhood, he’s only moved in about three years ago from East New York. “I would hang out in this neighborhood and that was the inspiration (to opening the business). I should have moved in earlier.”

There’s an important distinction between community driven growth versus corporate driven growth. Beforeitsgone.co is a great new social media site dedicated to fighting gentrification in Brooklyn, and explains many of the nuances in detail. When the community asks for establishments to stay open longer or to offer more diverse food options, residents respond very different than if a corporate chain tries to take roots in the area. This can explain the success of Parkside, a new brick side pizza oven restaurant, which attracts families, couples, and regulars. It filled a sore need for an upscale, but laid back cocktail place and has lived up to its expectations.

So where does that leave us: those who identify as political, and recognize that being new to a neighborhood means an opportunity for us to make choices that could be a drop in the bucket of the future of our borough? I’ve noticed most long term residents in Prospect Lefferts Garden will ask questions about the owners, supporting small business entrepreneurs from within the community.  We also frequent spots that hire local residents, and that don’t play dirty with other businesses.

For me, it means touching base with the locals who have history there to hear the spots they want to support, and to keep asking the hard questions. And to hold off on my cravings for a cupcake or Thai food until I’m in the city next time.

Filed Under: Friends & Neighbors Tagged With: Beforeitsgone.co, Brooklyn, coffee, community, Flatbush, gentrification, local, neighborhood, Parkside, Prospect Lefferts Gardens

A Profile In A Musical Kaleidoscope: Dawn Landes

January 28, 2016 By Florence Wang Filed Under: Friends & Neighbors Tagged With: Celebrate Brooklyn, Dawn Landes, Folk music, Live music, Prospect Park

Landes2OL

When the stars align, it can seem downright magical. Celebrate Brooklyn offers a unique opportunity for the musicians and audience to bond in a way that is only possible during the easy, breezy nights of summer. And Dawn Landes is the perfect performer for this type of introduction.

On a July evening, Park Slope resident Dawn Landes took the stage at the Prospect Park bandshell. She was the opening act for Jason Isbell, as part of the Celebrate Brooklyn! concert series. “Her band was tight, like they have played together for a long time,” an audience member described. Dawn’s voice and musicianship were beautiful. If you haven’t already experienced it, Prospect Park is the perfect place setting for a performance–moonlight bouncing off the grass and the trees, and the skyline of Park Slope’s beautiful architecture in the distance. By Florence Wang

If you weren’t in attendance that night, or are not familiar with Dawn Landes, she has been a busy bee buzzing around Brooklyn since alighting here eight years ago, releasing five albums and three EPs as a solo artist. Her most recent solo album, Bluebird, with songs are windows to quiet, thoughtful moments, received a nomination for “Folk Album of the Year” by MRG from its 14th Annual Independent Music Awards. Her spirited 2010 release, Sweetheart Rodeo, extends an invitation for hand-clapping and a foot-stomping. There’s something that feels very participatory in her music; and that must be due to her collaborative nature. In addition to her solo albums, she has taken the stage with an array of musicians, including Will Oldham, Sufjan Stevens, and Justin Townes Earl. These alliances have led to her expanding into new areas such as an album devoted to the French song style Ye-Ye (a pop of the 1906s), and an interactive graphic novel. She also performs as Dawn Split, one third of the all-girl pop trio, The Bandana Splits, who are incredibly reminiscent of the Andrews Sisters, and are oodles of fun.

Her love of music started at a young age. “I started making up songs before I could play any instruments. Somewhere there’s a cassette tape of a four-year-old me cooing rhymes into my dad’s recorder.” Growing up, Dawn was drawn to Linda Ronstadt, Bonnie Raitt, and Lucinda Williams, who she aptly refers to as “the truth tellers.” These influences shaped her style, which could easily be described as a perfect marriage of these sounds: Ronstadt’s gorgeous soprano, Raitt’s wit, and Williams’ whimsy. An accomplished multi-instrumentalist, her exploration with sound also began at home. “We had a piano that kept changing colors. My mom kept painting it. I guess I’m drawn to acoustic instruments,” she muses. “I love the sound of the banjo and a good honky-tonk piano.”

Moving to New York City from her native Kentucky, Dawn cut her teeth working at various recording studios around the city while attending NYU. She learned the ropes of production and engineering, and met other like-minded musicians. “I’m often drawn to the people first and the music second,” she says. During this time worked with the Brooklyn-based, Americana musical group Hem, playing glockenspiel. “I met Hem in the studio early on when I was assisting at Stratosphere Sound. I love collaborating, it’s like the periodic table…you take a bunch of elements and throw them together and they create a whole new thing.”

Perhaps her biggest undertaking is writing the music and lyrics for the upcoming musical, Row, commissioned by Joe’s Pub/The Public Theater. Row recounts the true story of Tori Murden, a fellow Kentuckian, who in 1998 left her job and endeavored to become the first woman to row across the Atlantic Ocean. Dawn followed Tori’s progress as it appeared in the news, and the story stayed with her. “I was really inspired by Tori’s memoir, A Pearl in the Storm, but it wasn’t until I met with (writer/director) Daniel Goldstein that I ever considered turning it into a musical.” Goldstein, a fellow Park Slope resident, is writing the book and she has greatly loved this process. You can find Dawn’s TED talk about Tori’s story online. Her recounting of the voyage is riveting and the song she performs is a gorgeous reflection of her thoughts and feelings. A work in progress, she debuted some of the songs in a performance at Joe’s Pub over the summer, “It’s still in development with the Public Theater and I’m very excited to share it with the world when it’s ready.” Given her previous albums, it makes perfect sense for Dawn to sing about Tori—she is a woman of strength, it must be the Kentucky spirit shining through.

Dawn is currently on tour as part of Sufjan Stephens’ quartet that The Huffington Post described as “stellar;” further writing that Dawn is a, “charming singer-songwriter whose quiet elegance added even more charm to his already class act.” When touring is complete, Park Slope is where she hangs her hat. “I moved to Brooklyn about eight years ago. As a native Kentuckian, the tree-lined streets in Carroll Gardens and Park Slope really made me feel at home. I grew up near Cherokee Park in Louisville…which is also an Olmstead park, so Prospect Park somehow feels familiar. There’s a great community of musicians and songwriters in Brooklyn.”

2016 looks to be another busy year for Dawn—in January, look out for her EP of duets on Sixth Degree Records, titled Desert Songs. As you’re thinking about gifts this season, The Bandana Splits have a holiday album coming out—the perfect soundtrack to any party. You will find it in her online store, which is stocked with fun, rodeo-themed merchandise, as well as her music on both CD and vinyl. It has been a busy year for Dawn, and I for one am looking forward to her return to Brooklyn and Joe’s Pub, and a chance to hear her live.

You can learn more about her, listen to music, and find her performance dates on her website, dawnlandes.com.

Filed Under: Friends & Neighbors Tagged With: Celebrate Brooklyn, Dawn Landes, Folk music, Live music, Prospect Park

Beyond Arts and Crafts

March 23, 2012 By admin Filed Under: Friends & Neighbors

Spring is almost here, which means summer is just around the corner and registration for Park Slope’s many summer camps is in full swing. Aside from the usual fare, Park Slope also offers some very special and creative camp experiences with focuses on sword fighting, writing, filmmaking, singing, acting, and more.

For the Young Director (Ages 6-11)

“I consider myself a creative person and I work with creative people, but no one’s as creative as the seven-year-old students in my action film class,” says Tim Sutton, whose camp and after-school program Video Kid reflects the needs of the YouTube age. “Kids are so creative. They can make worlds out of nothing. And video is not a foreign environment to them.” Through collective projects incorporating production design, animation, improvisation, directing, acting, and effects, kids make films worthy of the festival circuit.

While the campers are treated to film screenings, Tim and his team of teachers also like to keep the focus on creation. “One of the things that is very important to me is that media is something to engage in the how-to sense, not necessarily just to glaze over and watch,” he says. “When students learn how to do what they see, it makes it seem more engaging than when they’re just watching it.”

Video Kid began as an after-school program at PS 321 last year then grew exponentially to other schools throughout the year including PS 10, 39, 107 and The Children’s School. Its great success has led to the special summer camp that runs for three weeks in July. Students can focus on everything from adaptation to comedy to special effects year-round, or they can explore filmmaking from all aspects in the Video Kid 101 class. “These students,” Tim notes, “come out of here knowing what a close-up is, they know what a mid shot is, they know what a high angle is, they know what stop-animation is, they know what an actor is. And the ideas they come up with and the energy they put toward it – adults don’t have that.”

For the Uncommon Gal (Ages 6-11)

Some girls prefer to work on their art without having to deal with boys, and Curious Jane offers an ever-changing assortment of themed week camps that foster education in art, science, building, and design in an environment where girls can learn, experiment, and create. “Women are open with sharing resources, so it’s been a very supportive, ‘let’s figure this out together’ environment,” says founder Samantha Razook Murphy, who employs a range of teachers and artists to navigate the campers’ journey through themes like zine publishing, toy design, DIY fashion, story arts, and wired technology.

The all-female aspect is new to Samantha, but as a mother of two daughters, she enjoys giving girls a gender-friendly learning environment. “With girls there tends to be an internal and external pressure to get the right answer, while boys have more of a freedom to try something and if it doesn’t work, it explodes, it falls apart, then we’re going to try again,” Samantha says. “Girls often move at a more hesitant pace at first than boys, so it’s great for them to have the freedom to experiment. All of our classes are very project-based, so we’re trying to emphasize to the girls that this is about them, they can play around. Plus our all-female staff is great – they all have experience and comfort in what they teach, and the girls can look at them and see a role model.”

Since its inception in 2009, Curious Jane has branched out to multiple New York City locations as well as Boston, Philadelphia, New Orleans, and Naples, Florida. In addition to daily games and theme-focused activities, Curious Jane students also take occasional field trips, like to the Brooklyn Kitchen, Brooklyn Children’s Museum, or even to give trapeze a try or visit a real woman-owned woodworking studio. But for the most part, Curious Jane’s true home is Park Slope, which Samantha says has been very supportive: “People want to be involved. It strikes a chord.” Curious Jane’s fourth annual summer program starts in July with classes at The Berkeley Carroll School, The Brooklyn Free School, and International School of Brooklyn.

For the Blossoming Actor (Ages 4.5-14)

If your child has a flair for the theatrical, White Bird Productions’ Creative Theatrics offers a summer workshop for kindergarten to sixth grade students. Celebrating its 13th year in operation, Creative Theatrics gives campers real theater and stage design training from its staff of teaching artists and professional actors like camp director Lorrie Harrison, who has been with the non-profit founded by Kathryn Dickinson for the last eight years. “There’s always more to learn and explore,” Lorrie says, “and the right place to be is when you’re almost falling off the log, but not quite. You always need to be at that point of discovery.”

A typical day at Creative Theatrics includes a mix of acting, music, and art design split up by lunch, snacks, outdoor time, and group activities. Students from kindergarten to second grade meet at the Prospect Park Picnic House on Prospect Park West and 3rd Street, and older students meet at the Old First Reformed Church on 7th Avenue and Carroll Street, which serves as the shared stage for all Creative Theatrics campers for their end-of-the-week performances. “We have a show to put on every Friday at 2:00,” Lorrie says. “There’s something about that that’s energizing.”

While Creative Theatrics campers get to learn acting genres, dance choreography, and costume, prop, and puppet design, Lorrie wants them to leave the program with three things: “First, I want them to have a great time because it’s summer. Second, I want them to feel good that they can make and perform a play in a week. Thirdly, kids are always asked to make meaning out of difficult subjects in school and in life — like Shakespeare, parts of history, math, science, and anything they’re faced with in school, and we want kids to face these challenges in a fun and creative way, and then to feel the empowerment of saying ‘I know Shakespeare! So what if I’m in first grade?’”

For the Greek God Bookworm (Ages 6-13)

For fans of the popular Rick Riordan children’s book series Percy Jackson & the Olympians, Brownstone Books’ Camp Half-Blood gives kids ages 6-10 a chance to experience a real training ground for young demigods just like in the books. After hearing about the camp’s success in Texas, Park Slope mother Crystal Bobb-Semple decided to bring the magic to the neighborhood for her children in 2010. “Most of all so much of what makes Brooklyn special converges in Park Slope,” Crystal says, which is why the park was the ideal location for the demigods-in-training.
Camp Half-Blood takes advantage of Prospect Park’s combination of both open space and narrow pathways for a range of Greek god-inspired activities like phalanx training, sword-fighting battles, and even chariot battles updated to the modern day via rickshaws. Campers team up in the name of Athena, Hermes, Apollo, and others and engage in storytelling, role-play, and even daily quests and prophecies under the guidance of their counselors AKA The Golden Fleece. In addition to the physical challenge of learning archery, sword fighting, and Greek war formations, campers also get a lesson in art by decorating swords, flags, and creating their own Pandora’s box and labrynth.

As for the camp’s growing success, Crystal credits her campers: “Children are such truth seekers,” she says. “They know that the world can be unfair, that good people sometimes misbehave, and that results can be arbitrary. Greek mythology does such a masterful job of explaining history, morality, and consequence without being preachy. The frailties of the Gods and heroes in Greek mythology allow kids – all of us, really – the freedom to be both flawed and fantastic.” Sounds a lot like Park Slope itself, a place where it’s safe for kids to plunge into projects with like-minded thinkers and aim high, make fearless mistakes, and try again like true warriors.

Learn more about these camps here:

Video Kid
videokidbrooklyn.com

Curious Jane
curiousjanecamp.com

Creative Theatrics
whitebirdproductions.org

Camp Half-Blood
brownstonebooks.com

Filed Under: Friends & Neighbors

Small Business Secrets of the Slope

December 22, 2011 By admin Filed Under: Friends & Neighbors

Shopping may be changing with the internet age, but Park Slope’s storefront-lined avenues still sparkle, offering what the web sites can’t — a sense of community alight with charm, care, and collaboration. We met owners of four local businesses — a photography studio, an art gallery, and two designer jewelry and clothing boutiques — to find out what makes running a business in Park Slope unique and what they have planned for next year.

Diana Kane

“Park Slope has become much more of a shopping destination, even for tourists and people coming from Manhattan,” says Diana Kane, whose boutique on 5th Avenue and President Street has been in business for the past nine years. Aside from showcasing handmade rings, pendants, beaded necklaces, earrings, and other items from her jewelry line, Diana also sells shoes, clothing, lingerie, and accessories from sustainable, hard-to-find, and independent designers including locals like Aki Kano and Megan Noonan for Marijn Bennett, Prairie Underground from Seattle, and Belgium’s Mia Zia. “I feel like the closer you are to the source and the least poison you can put on your body, around your body, in the atmosphere – that’s important to me,” Diana says. “As a mother especially, it becomes clear that your choices across the spectrum make a difference, so you might as well go greener.

Diana has stocked her store with plenty of designer items perfect for holiday shopping – seasonal coats and dresses, locally-made handbags, cozy cashmere pop-top gloves and arm warmers, and Diana’s own jewelry. When it comes to choosing products and designers for her store, she likes to keep it simple: “If I want it, I figure most of the time somebody else will too. That’s the most consistent thread through this store.” Diana says that running a business is always challenging – “it’s all about recognizing your neighborhood, knowing who your customers are, and just being available to them.”

Tara Silderberg - The Clay Pot

Tara Silderberg at The Clay Pot on 7th Avenue has years of experience finding some of the most unique jewelry designers, and her relationship with her jewelers seals the deal for personal service. “I think we may be partially responsible for the Park Slope baby boom,” she says with a smile. “All these starry-eyed young couples come out here to look at wedding bands and then see all the kids and babies – you can draw your own conclusion.” While their bridal service attracts customers from all over, the store inspires loyalty from neighbors who’ve been coming by since Tara’s parents opened the business in 1969.

The Clay Pot carries a wide array of jewelry from designers like Alexis Bittar, Susan Fleming, Patricia Locke, and Ten Thousand Things. “By being loyal to my jewelers, I in turn can get amazing favors done for my customers. I had a request from a dear customer, who is also a friend, this summer after his wife suddenly passed away, to turn a strand of pearls they had purchased together into a bracelet for him and a necklace for his daughter. Not only did my jeweler do this for me in a week, but they didn’t charge us. While things like this don’t happen every day, it is an example of the tight-knit nature of what I do.”

Nancy Lunsford - 440 Gallery

440 Gallery, a gallery and artist collective on 6th Avenue and 9th Street, shares a similar in-tune relationship with the neighborhood and with its artists. “I was anxious to have a steady place to show my work,” says Nancy Lunsford, who co-founded the gallery in December 2004 along with ten other artists. The space is currently booked for the next seven years and showcases solo exhibits in its front area and the ongoing work of its members near the back – an inviting setup that gives visitors and potential buyers an art experience that’s both collaborative and ever-evolving. “It’s funny because art is a commodity, but you’re really paying for that emotional connection,” says Nancy, whose experience  selling art goes back to her days as a street portraiture artist outside the Grand Ole Opry when she was nineteen.

“The comment we hear from people who are familiar with galleries and have gone to our space is that the prices are so reasonable for the quality. A large part of that is because we are a collective – we don’t have as high an overhead as some other galleries,” Nancy says. “The fourteen artists we have right now are very strong in their fields. We like to keep a variety – we’re abstract, we’re realists, we’re photographers, we have collage, sculpture – we work for a constant balance.” Nancy and her fellow artists will host their annual Small Works Show from December 8th through January 7th then bring another year of exhibitions, both from the collective and other artists, to the neighborhood.

Roberto Falck

At Roberto Falck Photography next to Union Market on 6th Avenue, Roberto and partner Rachel Elkind have been photographing weddings, babies, children, and family portraits for the past six years. Roberto opened his Park Slope studio after stumbling across the available storefront while visiting his brother, which is when the business evolved from wedding photography to family photography as well. “Park Slope is a magnet for couples who are thinking of growing a family,” he says, noting that he and Rachel want to be “more than a ‘wedding photographer’ – we want to be their family photographer.” That’s why many of Roberto’s clients keep coming back, whether they live in the neighborhood, Manhattan, or beyond: “The family starts growing, they start having kids, and they come back to us.”

When it comes to plans for next year, Roberto says “I see it as a progression. We not only want to grow the business, but we want to be in tune with what’s going on here. What gets me the most excited is the challenge of trying to get something different with every client that we have.” For Diana Kane, 2012 will be another year spent designing jewelry, finding fun and sustainable goodies to sell in her store, and spending time with her family. What’s kept her business so successful? “I think it’s being part of your community, knowing your customers, being friendly and not pushy – those are the things that have kept us here. That, and always keeping a consistent viewpoint about what we like.” Tara Silderberg has a similar year ahead filled with hunting down new designs for The Clay Pot, but she prefers to sum up her outlook with a quote from E.B. White: “I arise in the morning torn between a desire to improve the world and a desire to enjoy the world. This makes it hard to plan the day.” But there’s one thing they can all count on: Shopping trends may change, but when you make the extra effort to connect with customers and neighbors on a grassroots level, not only can you survive, but you can flourish.

The Clay Pot
162 7th Avenue
clay-pot.com

Diana Kane
229 5th Ave #B
dianakane.com

Gallery 440
440 6th Avenue
440gallery.com

Roberto Falck Photography
217 6th Avenue
robertofalck.com

Filed Under: Friends & Neighbors

Teaching in the Slope

October 5, 2011 By admin Filed Under: Friends & Neighbors

We met two neighborhood teachers to learn what’s in store for Park Slope students this year and what makes teaching in our neighborhood unique.

The school year is now in full swing, and Park Slope’s many teachers have returned to their classrooms to begin a new year of lessons, games, and projects with their students. We met with two neighborhood teachers, Ilana Dogim from P.S. 321 and Chris Rochford from P.S. 39, to find out what’s in store for Park Slope students this year and what makes teaching in our neighborhood unique.

“I see my role as helping students fall in love with learning, themselves, and their community, from our classroom to the entire planet,” says Ilana Dogim, who has taught at P.S. 321 on 7th Avenue for the past thirteen years. “I am a huge supported of project-based learning. Students get much more out of their education if they get to actually ‘touch’ it and ‘create’ it for themselves.” Throughout the school year, Ilana’s classroom transforms into the Amazon Rain Forest, Plymouth Plantation, and a “Canstruction” exhibit, and her students get to experience life as everything from pilgrims to the Yanomami tribe. “These activities span the curricular areas through research and publication as well as measurement, painting, and community building,” she says, noting that in addition to keeping content exciting for students, it also allows her to meet the needs of each individual student based on academic levels and interests.
In addition to Ilana’s knack for making hands-on learning fun, she also knows the importance of the parent-teacher relationship. “I am in constant contact with parents via e-mail. I believe these communications are incredibly important to my students. Having them see their parents working with me as a team can make a huge difference when dealing with any obstacles that can come into play as well as giving students a stronger sense of the support around them. In the end, I believe my classroom is a family, and that family includes myself, my students, and their caregivers.”

Constant availability and communication between parents and teachers is also key for Chris Rochford, who teaches kindergarten at P.S. 39 on 6th Avenue and 8th Street. “It’s easy for me to quell a parent’s concerns when they’re thinking of them as opposed to having to wait a night or write me an email and I have to get back to them,” he says. Beyond being just an e-mail or phone call away, Chris also likes visiting his students and their parents at home. “When I was in first grade, my parents had my teacher over for dinner, and that’s such a vivid memory in my head,” he says. “I wanted to make that opportunity available for my students. I really enjoy it.”

Instead of keeping P.S. 39’s three kindergarten classes self-contained, each room claims a different learning space. “We’ve combined everything so we have a reading and writing environment, a math and science environment, and a dramatic play and social studies environment, and we switch with our class into the different rooms for the different lessons of the day,” Chris says. “It’s one way that’s great for camaraderie – they all get to see each other, and we really get to know everybody in kindergarten. So it’s really a fantastic setup.” The P.S. 39 building is railroad-style, so Chris says it’s a very close-knit community: “There are no hallways, there are doors that have been subdivided. It’s very different than going into your classroom and closing your door. I’m constantly seeing and interacting with my fellow teachers.” P.S. 39’s collaborate environment also extends into the community, and the students take field trips to Prospect Park, the Brooklyn Public Library, and local businesses ranging from ice cream parlors to print shops both in Park Slope and surrounding neighborhoods.

Both Chris and Ilana find teaching students to be both a rewarding and mutual learning experience. “Watching my students fall in love with learning, begin to discover their own unique strengths and weaknesses, and grow into more independent thinkers is incredibly rewarding,” Ilana says. “Being part of the creation of a safe and supportive community where students respect and support each others’ differences in addition to their similarities is also very rewarding.” As for learning from the students, Chris says the process is daily “because you’re constantly modifying your approach. You can make the best lesson plan in the world, but when it’s delivered, it’s all based on how the students receive it and their ability to follow that lesson plan. Sometimes it works, and sometimes it’s an absolute disaster – I mean we learn something, but it just didn’t flow the way that we planned, and then you regroup and you revamp. So I’m learning a significant amount from the kids, even in kindergarten.” Chris also knows the lasting impression he makes on his students and brings that awareness to his teaching every day. “That weighs on my mind with the way that I speak and the words that I use. I absolutely want to leave them with the happiest kindergarten experience. I can set the tone for their entire educational career – every teacher can.”

School has been in session for weeks now, but back in August, Ilana told us she was looking forward to countless things about her job as a teacher. “I can’t wait to create our messy art projects.  I’m eager to hear about my students’ unique interests and experiences.  I can’t wait to make them laugh for the first time.  I can’t wait to see the look on their faces when they achieve something they thought was beyond their reaches.  There’s so much more I’m looking forward to, but I think this is a good start.”

Filed Under: Friends & Neighbors

Mixing Media and Ideas

June 28, 2011 By admin Filed Under: Friends & Neighbors

A Guide to Summer Park Slope Art

“How do we get a sense of ourselves when we truly are in a network culture of speed?” asks Park Slope artist Marc Lafia. For Marc, network culture is a way to define, map, and express ourselves in new ways. For Oliver Trager and John Manno, it’s a challenge of reinvention and rediscovery. And for Marney Fuller, network culture is an opportunity to teach others how to participate in an artistic conversation. These artists explore the changing ways we communicate and define ourselves through their own lens. They are the thinkers who give the Park Slope art community its voice, whether it’s a fascination with insects, mushrooms, baseball, film theory, or an old wooden chair.

Marney Fuller

“I like to reintroduce the familiar in an unexpected way,” says Marney Fuller, a painter, sculptor, and teaching artist who is the mind behind the whimsical insect sculptures that grace the side of PS 107 on 8th Avenue and 14th Street. When her son was a student in 2008, Marney approached principal Cyntia Holton with the project as a way to get students from every grade and skill level involved in the process of making public art. “It really takes a trusting, thinking-outside-the-box principal to accept my proposal, for me to say ‘Hey, can I hang some huge insects on the side of your building? And guess what, I’ll have your kids help me do it.’” After weeks of collaborative student effort under Marney’s guidance, the spider was the first to appear on the brick building, and in April 2011 it was joined by a caterpillar and a butterfly. Not only has the project been a successful introduction to public art and installation, but it gave the students the opportunity to experience being a literal part of their artistic environment.

Marney is also the founder of the Artist Workshop Experience, a five-week summer art program she runs from her Dumbo studio. AWE accepts artists ages nine to sixteen, and Marney hires Pratt students and graduates to teach a wide selection of disciplines including painting, sculpture, graffiti, printmaking, and photography. “All the kids that come there, it’s their opportunity, they’re around people interested in art, and they’re excited about it and they think about it, and that’s what art should be about.” Aside from AWE and her paintings, Marney plans to pursue multiple public art projects this summer.

John Manno

Inside Cocoa Bar on 7th Avenue, professional still-life photographer John Manno explains his preference for inanimate objects over people: “In still-life, I can make juxtapositions, form, shape, textures, light that are more visually interesting – all the things you don’t really pull out with a person,” he says. “And if even if you did, you’re still looking for more meaning behind that. All right, so you’ve got the stubble of his beard or the sparkle in the eye, but what does that mean?” He explores this idea in his ongoing series “Chair,” where he photographs the same wooden chair in snow, subway stations, beaches, stairwells – the list keeps growing. “I get odd looks,” he says with a shrug. “I traipse it through the park, and in snow, and I spend a lot of time in Red Hook,” one of his favorite spots to photograph in the city.

John has shot both editorial and commercial campaigns for companies and firms like BBDO, JWT, Digitas, Conde Nast, Michelob, and Procter & Gamble and will also teach a photography workshop at the School of Visual Arts in June. He considers himself lucky to still be a working still-life photographer at a time when online stock photos dominate most of the competition, but it’s clear through seeing his work that he enjoys the challenge. “As an artist, you’re only as good as what you’re currently working on,” he says. “You have to constantly reinvent yourself. You have to constantly come up with something new.”

Oliver Trager

On a bench in Prospect Park, writer, editor, and filmmaker Oliver Trager describes his inspirations: “My work tends to deal with the 50s. I have a love for the Beats, the Charlie Parker era, Bobby Thomson…those are subjects that speak to me, and I like to write about what I love.” Oliver is the author of three books: Keys to the Rain: The Definitive Bob Dylan Encyclopedia (Billboard Books, 2004), The American Book of the Dead (Fireside, 1997), and Dig Infinity!: The Life and Art of Lord Buckley (Welcome Rain Publishers, 2002), and he has also worked as a writer, researcher, and script consultant on several films including Tales of the Rat Fink (2006) and Know Your Mushrooms (2009). Most recently he started a blog called Painting the Word Picture, where he writes about the art and history of baseball on the radio.

“What every writer wants to do is find their voice, which is the hardest thing to do,” Oliver says. “You tell a story. You tell it to death. Then when you actually sit down to write it, you’ve already rehearsed it in some fashion.” This discipline might come from Oliver’s 24 years working as a managing editor at Facts on File, news article journal and database. He isn’t the only exceptional reference writer in the family – his father James Trager is best known for authoring the comprehensive Chronology books including The People’s Chronology, The Food Chronology, and The New York Chronology, among others. For his most recent project “All Cylinders,” Oliver has taken his father’s most recent chronology on the automobile and translated it into an online space where he plays with the possibilities of organizing a subject’s history through use of images, chronology, and text. “You can read a history book and find out all there is to know about a certain subject, but history happens in cross currents,” he says. “Things are happening in India in 1492 for instance, but we don’t really hear about that so much. So the idea is you get to really see all these things that are happening at the same time.”

Marc Lafia

This interest in non-linear history is also shared by Marc Lafia, a filmmaker and philosopher interested in network thinking and collaboration. “Power is dispersed through a number of different kinds of networks,” he says in his home on 6th Avenue during a break from editing his newest film. In addition to being the founder and architect of award-winning website Art + Culture, Marc has filmed, edited, directed, and written many films ranging from commissioned works to experimental expressions both online and in galleries like the Whitney Museum of American Art.

In his newest project Remake/Unmake, Marc shows a film to both older and younger generations of different international cities who then reenact and discuss it through their perspectives in culture and time. He has already brought Remake/Unmake to Shanghai, Ljubljana, Abu Dhabi, Rio de Janeiro, and New York and plans to expand to other cities as well. “We examine a film through what the older generation thinks is critical and promising about it as well as what energy the younger people say the film carries today and how far away it is from the promise they had. So it is a way to gather around a text, talk about it, and look at how representations change in cinema.” Marc is also working on a documentary called Empires with Park Slope neighbor and former Criterion producer Johanna Schiller where they interview political philosophers, social theorists, and network theorists in an attempt to map the global network of ideas and senses in history and “connect with people across cultures, across ideas, and find ways to be expressive and investigate the currency of ideas that gives shape to us.”

To Marc, we’re always becoming through our community, relationships, and sense of time – “the multiple vectors in which we’re living.” For all artists, exploring these vectors is the key to lending a unique perspective to the community, whether it’s a photographer who loves the rustic charm of Red Hook, a painter who also sculpts enormous arachnids and insects, a writer who can encyclopediafy any subject, or a filmmaker who takes multitasking to a new level. The difference lies in their mediums, motivations, and processes, and for these four Park Slopers, summer is only the beginning of a new idea.

Filed Under: Friends & Neighbors

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