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Celebrate Brooklyn

An Insider’s Guide to Celebrate Brooklyn!

June 26, 2019 By Sam Benezra Filed Under: Park Slope Sounds Tagged With: Celebrate Brooklyn, free events, Live music, sam benezra, summer events

Tortoise

Celebrate Brooklyn!, New York’s favorite summer concert series, returns this year with a lineup that is as potent as ever. 2019’s edition features icons of indie rock, a Cuban jazz legend, and a tribute to Marvin Gaye among a host of other performances from up-and-coming stars and pop music luminaries. Here are ten performances you won’t want to miss.

6/12 and 6/13- The National / Courtney Barnett

The National are teaming up with Courtney Barnett for two consecutive nights that promise to be high notes in the Celebrate Brooklyn! concert schedule. Over the course of their two-decade career, The National have developed near-icon status in the indie rock world on the back of their compellingly melancholy sound. Providing the opening entertainment is Courtney Barnett, who returns to Celebrate Brooklyn! after a killer performance at the bandshell in 2018. The Melbourne-based singer-songwriter is known for her clever lyricism, but don’t overlook her shrewd guitar work, which, recalling at times Neil Young and/or Joey Santiago of the Pixies, is pure rock’n’roll.

Tank and the Bangas

6/20 – Tank and the Bangas / Cory Henry & the Funk Apostles

Tank and the Bangas come to Brooklyn all the way from N’awlins. Led by Tarriona “Tank” Ball on vocals, they’ve quickly risen to prominence after winning NPR’s Tiny Desk Contest in 2017. Their new school NOLA sound brings together bouncy neo-soul with old-school funk. Ball’s spoken word vocals tie it all together in a compelling package. Not to be forgotten, Cory Henry of Snarky Puppy is a genius on the Hammond B3 Organ and a powerful vocalist to boot. With the Funk Apostles, he takes center stage as bandleader and frontman.

6/22 – Tortoise: TNT / Emily Wells with Metropolis Ensemble

Back in 1998, Tortoise changed the game with TNT, a genre-busting post-rock masterpiece that brought together hints of free jazz, rhythmic groove, funk, krautrock, electronica, and ambient music. In June, they’ll perform TNT in its entirety. Brooklyn-based singer and multi-instrumentalist Emily Wells, whose forward-thinking brand of pop is no less visionary, will kick the night off backed by the Metropolis Ensemble.

6/26 – Chucho Valdés – Jazz Batá / Dafnis Prieto Si o Si Quartet

In a night that brings together the past and present of Cuban jazz, percussionist Dafnis Prieto and his quartet will open for Chucho Valdés. Valdés, the son of Bebo Valdés, himself a towering figure in Cuban music, has been performing since the early 1960s. Over the years, he has won six Grammy and three Latin Grammy Awards and helped define Afro-Cuban jazz. He comes to Celebrate Brooklyn! at the ripe age of 77 for a performance that’s sure to be unforgettable. 

Mick Jenkins

7/5 – Mick Jenkins / Leikeli47 / Leven Kali / Joy Postell

On July 5, Celebrate Brooklyn! will bring together some of the most unique young voices in hip hop and contemporary soul. Mick Jenkins has yet to reach mainstream status, but is nevertheless among the most inspired figures in hip hop. His most recent release, 2018’s Pieces of a Man, takes its name from a Gil Scott Heron album, which should show you where his ambitions lie. His production sounds fresh, even bold, but his intellectual lyricism is rooted in old school hip hop. Brooklyn native Leikeli47, who has worked with everyone from Pussy Riot to Ghostface Killah to MF DOOM, is compellingly mysterious. She is never seen in public without a balaclava or bandana masking her face. Her music is as bold as it is celebratory — her most recent album a testament to her upbringing in Bed Stuy. Down the bill, LA’s Leven Kali and Baltimore’s Joy Postell are both steadily developing a name for themselves as up-and-comers in the contemporary R&B world.

Salif Keita

7/13 – Salif Keita / Courtnee Roze

Salif Keita is a towering figure in African music. Known as the “Golden Voice of Africa,” Keita was born a traditional prince of Mali’s Keita Royal Family. Cast out of his family for his albinism, Keita began working as a professional musician in the late 1960s. By the 1980s, he was renowned across the world as one of the most recognizable figures of African music. Before he takes the stage, Courtnee Roze, a masterful percussionist who has worked with Alicia Keys, Beyoncé, J.Cole, and others, will kick the night off with a performance by her band.

Nilufer Yanya

7/25 – Surprise Headliner / Nilüfer Yanya

Celebrate Brooklyn! is keeping things mysterious with a surprise headliner on July 25. The intrigue alone makes this show worth attending, given Celebrate Brooklyn!’s pristine track record. Regardless, opener Nilüfer Yanya alone makes this a potentially special night. The prodigious British artist began her music career as a teenager. She has an exploratory ethos and a phenomenal ear for pop melody.

8/3 – Crouching Tiger, Hidden Dragon / Lou Reed Tai Chi Day

On August 3, Celebrate Brooklyn! will screen Ang Lee’s Crouching Tiger, Hidden Dragon, a martial arts epic set in 18th century China. A phenomenal flick, no doubt, but the real show takes place before the film, with the first annual Lou Reed Tai Chi Day in honor of the late rock legend. Master Ren Guang-Yi, Lou Reed’s teacher, will demonstrate Chen style tai chi forms, to the soundtrack of Lou Reed DRONES, a sound work featuring Lou Reed’s guitar feedback, along with special guests Laurie Anderson, John Zorn, Sarth Calhoun, Stewart Hurwood, and others.

Felicia Collins

8/9 – What’s Going On featuring Felicia Collins, Toshi Reagon, Siedah Garrett, Keisha Lewis, and others

For one of the final Celebrate Brooklyn! events, an all-star band led by Felicia Collins, a renowned guitarist and vocalist who performed for nearly two decades with David Letterman’s house band, will play Marvin Gaye’s 1971 classic What’s Goin’ On in its entirety. A remarkable concept album that has had an outsized influence on soul music, What’s Goin’ On, a concept album which tells the story of a Vietnam veteran returning home, remains culturally and politically relevant to this day. A once-in-a-lifetime show, to be sure!


Filed Under: Park Slope Sounds Tagged With: Celebrate Brooklyn, free events, Live music, sam benezra, summer events

The Reader Interview: Activating a Democratic Space

July 19, 2017 By Mirielle Clifford Filed Under: The Reader Interview Tagged With: Celebrate Brooklyn, music, Prospect Park

The Reader Interview with Jack Walsh of the BRIC Celebrate Brooklyn! Festival

Whether you’re enjoying the afro-blues sound of Amadou & Mariam, waxing nostalgic with Talib Kweli, or taking in a film with live scores performed by the Brooklyn Interdenominational Choir, the Wordless Music Orchestra, or Brooklyn United Marching Band, you’re sure to make some new meaningful memories, big and small, at the Festival this summer.

On a rainy afternoon in late-May, the people who make the BRIC Celebrate Brooklyn! Festival possible continued their preparations for the Festival’s 39th season. Jack Walsh, who is Vice President of Performing Arts at BRIC and the Executive Producer of Celebrate Brooklyn!, welcomed me to the Prospect Park Bandshell as the staff closed out for the day. Walsh has been with the Festival for 35 of its 39 years. We sat down at Dizzy’s Diner to discuss a changing Brooklyn, the Festival as a platform for artists’ voices and activism, and Walsh’s favorite BRIC Celebrate Brooklyn! Festival memory.

 

 

Can you walk us through the process of selecting the lineup for the summer? How is this summer different from other years?

Sure. We have a programming team. I serve as the Executive Producer and oversee the whole festival, but I really work in partnership with Rachel Chanoff, the Artistic Director. Under her there are one or two programmers. We feed all the ideas in through Rachel, and she leads the programming team that’s doing the booking and reaching out to agents. Because of Rachel and our partnership over many years, we hope the Festival has an artistic, or programmatic, voice. Even if people can’t quite put their fingers on it, they understand that the selection process is very thoughtful and intentional. That’s broadly how it works.

This year is different in that, while we’re not wearing our activism on our sleeves, a good many of us are pretty active, and upset about what’s happening in the country and the world. There is a bit of intentional social justice activism in the lineup. That’s a little different this year, and as we move into next year for our 40th anniversary season, we’ll see a bit more of that intentionality through some commissioned projects. Every year we do a post-season assessment and talk about what worked, what didn’t and why, looking at data, but it really boils down to artistic choices.

Brooklyn as a borough is becoming more gentrified, the city has some of the most segregated schools in the country, and the country is divided politically. What can the BRIC Celebrate Brooklyn! Festival teach us about bringing people of different backgrounds and ideologies together?

That goes to the heart of the Festival and its origins. We don’t put it out there as front and center as we used to, but there is a mission statement for the Festival, and part of it is to bring people together in a safe, harmonious setting to experience each other’s cultures. Brooklyn is still one of the most diverse places in the United States, but, as you say, it’s getting more and more gentrified. While we have recognized that—we live here and see the changes—we have made a more concerted effort to not just program a Festival where you see diversity on stage, but to program the Festival so you see diversity in the audience. That’s really important. So we put more of an effort on marketing and outreach to communities of color, and think about how it is we can make sure all feel invited and welcome. That’s something we’re very deliberate about, and we’re more or less successful. We’re trying all kinds of things to make sure that happens.

Part of BRIC’s mission is to incubate and present new work by artists. Do you also think of the Festival as a way to incubate new work?

It is. Because of the scale, it’s different. At BRIC, we have a fantastic, smaller-scale program called BRIClab. We give artists workspace for over two weeks to develop projects and present them in workshops. That’s a way in which a lot of work is developed. Because of the scale of the Festival, the way we can incubate work is different.

Here’s one example from this summer’s lineup, which addresses the activism piece and also how we work with artists to help them with what it is they want to work on, or give them an opportunity to do something different. The film Selma, which has been out for over two years, is an incredible, well-done story. The music was composed by Jason Moran, a New Yorker and jazz composer, who’s now the Kennedy Center Artistic Director for Jazz. He’s an incredibly accomplished jazz musician whom we’ve worked with and presented before. This year we approached him and said we’d like to show Selma and have you perform the score live. He was intrigued by that, but then let us know it included a 35-piece orchestra. He doesn’t get to do that often, so we said “why not?” and put a lot of resources into it. It’ll be the only time that score will be performed live with Jason Moran’s trio and a full symphony orchestra. That’s a way in which you can say we incubate work, or at least give artists an opportunity to do something different. There are other examples, but that one really stands out for this summer.

Hopefully that performance will be a way we can get people to wake up and think about what’s happening with voting rights in this country.

Is there anything you want the audience to be especially awake to?

We’re here in Brooklyn. It’s different here than it is elsewhere. We want to be a platform so that musicians and artists can speak their voice. Many times, they’re the best activists. Beyond that, as citizens, we can all be thinking about voting rights, even though the restrictive voting rights measures taking place in other parts of the country aren’t necessarily happening here in New York. But voting rights have been challenged on the federal level, which allows different states to do less to protect those rights, or to be more restrictive in states like North Carolina, which are now actively trying to make it harder to vote, in ways they couldn’t until recently. Here in Brooklyn we can make a difference. We can try to get these rights reinstated on a federal level. It affects the entire country. Showing a film like Selma and celebrating its message is something we can do as a Festival.

We focus on performance, and the experience of performance. A lot of organizations would love to be at the Festival to solicit, fundraise, or get signatures. We don’t do a lot of that, but we’ve consistently allowed voting rights organizations, like HeadCount. We feel voting is a baseline thing in a participatory democracy. Anything we can do to move the dial is a good use of our platform. We’ve embraced that for many years. This year, we’re trying to lean into it more.

People in the neighborhood have a very personal connection to Prospect Park. What role has the park played in the 39 years of BRIC Celebrate Brooklyn! Festival’s history, as a setting or even as a character?

I’ve never thought of it as a character. I was born and raised in Park Slope, and literally spent my life in Prospect Park. People use the Park in ways that are very personal to them, and it certainly is a setting for many stories and memories. That’s something everyone can relate to. The Park has been designed to be and has always been a very democratic space. To activate it the way we do with music, dance, and film is an incredibly special way to use the Park. Most parks are designed to have a place for gathering and music. For me, having worked on the Festival for decades, Prospect Park is most especially a setting for music. But it is a setting for other things, like picnics and gatherings with family and friends, important moments big and small.

What was the most memorable concert in your time with BRIC’s Celebrate Brooklyn! Festival?

I’ve been working on the Festival since 1982, every summer. I’ve worked on every single show, except for four. That’s over a thousand performances. With that as the background, I have to say David Byrne in 2010 was one of the best shows we’ve ever done. For me personally, it was absolutely thrilling. He was on a tour where he was doing a lot of old Talking Heads music. That one is very much at the top of the list.

In terms of others that rise to being super memorable…it gets harder after that. David Byrne is at the top for me, and after that, there are so many other great ones, and it’s hard to choose. Norah Jones was fantastic, in the pouring rain, and St. Vincent, and Sylvan Esso, who’s coming back this summer. Going way back to my first year, 1982, when I was very young, Betty Carter left quite an impression on me. She was a jazz singer who lived here in Fort Greene. Her performance is up there on the “unforgettable” list, partly because it was my first year working the Festival. But she was also a legendary and influential performer with an impactful career. In the early years of the Festival, we presented a lot of jazz singers from Fort Greene, like Max Roach, Abbey Lincoln, and others, and I was there for that. Those are some of the more recent and earlier shows that are especially memorable.

In addition to the screening of Selma, what are you most looking forward to this summer?

The closing night show with Youssou N’Dour from Senegal will be extraordinary. Youssou is a global ambassador of culture. His music at its core crosses boundaries and borders. This show is emblematic of what we try to do at the BRIC Celebrate Brooklyn! Festival, to bring people together “under the big tent,” if you will. He comes to New York every year or so, but this will be one of his first free shows in New York. We intentionally programmed it to close the season. We’ve been trying to get him forever and finally got him.

Is there anything you’d add for our readers?

You enter the park at 9th Street and Prospect Park West, so in many ways it’s Park Slope’s Celebrate Brooklyn! Festival. It is for the whole borough, but there is a real special connection to this neighborhood. Many people here support the Festival and become members. Our Friends of Celebrate Brooklyn! program has a thousand people in it who all support the Festival, and many of them live in Park Slope. It’s gratifying to see that because it means we’re really connecting with people. They feel that connection and want to repay the favor by supporting the Festival. There are a lot of people who come again and again, which is really special.

I’d say to everyone reading the Park Slope Reader, the Festival is there for you, come out, take advantage of it, make it your own, support it if you can. Otherwise, come and bring your friends, and spread the word.

Do you have any advice for artists who want to engage with those issues of displacement and gentrification?

Artists have voice, and a platform. What they choose to speak about is their choice. But I think that artists can move the needle on issues in ways that other people can’t. If that’s at the core of your artistic practice: good for you, keep it up, get stronger, do it louder. If it’s not in your practice, and you’re concerned about issues that affect your neighborhood or society, I would say, sharpen your pencil, get a bit of a tough skin, and start to put yourself out there more. Because, again, artists can say it in ways that can encapsulate the message for other people, and that has a unique multiplying effect. I just encourage it. If you’re already doing it, do it bigger, better, louder.

It’s interesting. We’ve talked about gentrification. The Festival was founded at a time when Brooklyn and Park Slope weren’t such fine places to be. It was meant to bring people together to celebrate Brooklyn, and it was part of an effort to “revitalize” Brooklyn. “Revitalization” was a popular word then. Now, the tipping point has come and gone. Gentrification has almost come and gone. Now it’s more like displacement. That’s happened in Park Slope. This place we’re sitting in has been here for a long time, but it wasn’t always Dizzy’s. I struggle with that; being born and raised here, I’ve seen waves of change.

Really, change is inevitable. Change is good. But being an active participant in the change is key.

Filed Under: The Reader Interview Tagged With: Celebrate Brooklyn, music, Prospect Park

Brooklyn at it’s Best: Free Outdoor Theatre, Music, and Movies

July 14, 2017 By Caitlin Leonard Filed Under: Community Tagged With: Celebrate Brooklyn, Movies, Piper Theater

Brooklyn is the place to be this summer when it comes to free outdoor events. The cultural hub is offering chances to take in free outdoor movies, world-class concerts and unforgettable outdoor theatre performances. Delight in the best of the arts while relaxing and enjoying the sun, and even head to the Upper West Side in July for a rare ice cream festival!

A Summer Movie Under the Stars

https://nitehawkcinema.com/williamsburg/movies/a-summer-movie-under-the-stars/
There will be four outdoor screenings of family-friendly films starting on July 19th in Prospect Park. The movies will focus on themes linked to the park’s culture – including baseball and the Prospect Park Zoo. Each screening will take place following a live music performance at 7:00pm. The films will be shown at sundown in the green space of Long Meadow, south of Grand Army Plaza. The series also marks the 150th anniversary celebrations of the Prospect Park Alliance, an organization which employs professional staff to ensure daily smooth operations of Brooklyn’s largest park.

July 19th – 7:00pm – Music: DJ Jane Elizabeth                                   Film: The NeverEnding Story
July 26th – 7:00pm – Music: Doo Wop band                                        Film: The Sandlot
August 2nd – 7:00pm – Music: Morricone Youth                                 Film: Moonrise Kingdom
August 9th – 7:00pm – Music: Brooklyn United Marching Band         Film: Zootopia

 

BRIC – Celebrate Brooklyn! Festival
https://www.bricartsmedia.org/events-performances/bric-celebrate-brooklyn-festival
BRIC, a non-profit arts and media organization, is a leader in free cultural programming in Brooklyn. Founded in 1979, it has been bringing the community together and presenting work that reaches hundreds of thousands each year. BRIC is perhaps best known for its annual Celebrate Brooklyn summer concert series taking place at the Prospect Park Bandshell.
Now in its 39th year, the BRIC Celebrate Brooklyn Performing Arts Festival is one of the only free summer outdoor concert series in New York City. It will feature a wide array of musical artists and styles from around the world throughout the summer – as familiar as the hottest indie bands, and as unique as the greatest jazz artists. The series will also include several benefit concerts, including a performance by Grammy-winner Esperanza Spalding on July 28th with Andrew Bird.
Prospect Park is a historical location designed in 1865 by Frederick Law Olmsted and Calvert Vaux. The vision for the space was for it to become the center of Brooklyn’s cultural scene. The Bandshell was added in 1939 and renovated in 1983 and is a popular site for outdoor concerts and has been the location of many live shows over the years. Through artistry and a sense of a shared identity the BRIC festival continues to showcase music from the many cultures that make Brooklyn a unique place to live.
For performance info: https://www.bricartsmedia.org/events-performances/bric-celebrate-brooklyn-festival

 

Piper Theatre Main Stage Productions:
http://pipertheatre.org/current-productions/
This year’s Main Stage productions from Piper Theatre include the musicals Priscilla, Queen of the Desert, and The Brontës. Bring a blanket or low lawn chair and a snack to enjoy, and visit the concession stand for beverages. (No pets allowed).

Priscilla, Queen of the Desert
8:00 pm: July 6th, 7th, 8th; July 13th, 14th, 15th.  July 20th, 21st, 22nd
Based on the 1994 motion picture, Priscilla, Queen of the Desert uses well known pop favorites as its score – including hits like Downtown, I Say a Little Prayer for You, and I Will Survive. The story of two drag queens and transgendered women addresses homophobia as they ride a lavender-colored bus named Priscilla across the Australian desert. This musical has been performed all over the world and won a 2011 Tony Award for Best Costume Design.

The Brontës – A Musical
8:00 pm: July 9th, 16th, and 23rd
Theatre in Asylum’s workshop production of The Brontës, a musical will be presented by a cast of seven. With music by Lucas Tahiruzzaman Syed and lyrics by Sarah Ziegler, the story is inspired by the line, “Literature cannot be the business of a woman’s life,” which served to reject Charlotte Brontë’s attempts to be published. The musical portrays how she then went on to write Jane Eyre and incite her sisters’ writing endeavours and careers.
Performances will take place at the Old Stone House in Brooklyn at 336 3rd street, between 4th and 5th Avenue.

 

Summer Ice Cream Blizzard
https://www.eventbrite.com/e/nyc-summer-ice-cream-blizzard-tickets-32053812817?aff=es2
July 16th 10am-1:00pm
The perfect way to celebrate National Ice Cream Day, the 2nd annual NYC Summer Ice Cream Blizzard brings out the best artisanal ice cream makers and creative flavors. Taking place at the Grand Bazar NYC market on the Upper West Side, the event will be free, with the chance to make a donation to public schools. The market is open every Sunday year-round and also features works from local artists, designers, antique dealers with artisanal food purveyors.

Filed Under: Community Tagged With: Celebrate Brooklyn, Movies, Piper Theater

A Profile In A Musical Kaleidoscope: Dawn Landes

January 28, 2016 By Florence Wang Filed Under: Friends & Neighbors Tagged With: Celebrate Brooklyn, Dawn Landes, Folk music, Live music, Prospect Park

Landes2OL

When the stars align, it can seem downright magical. Celebrate Brooklyn offers a unique opportunity for the musicians and audience to bond in a way that is only possible during the easy, breezy nights of summer. And Dawn Landes is the perfect performer for this type of introduction.

On a July evening, Park Slope resident Dawn Landes took the stage at the Prospect Park bandshell. She was the opening act for Jason Isbell, as part of the Celebrate Brooklyn! concert series. “Her band was tight, like they have played together for a long time,” an audience member described. Dawn’s voice and musicianship were beautiful. If you haven’t already experienced it, Prospect Park is the perfect place setting for a performance–moonlight bouncing off the grass and the trees, and the skyline of Park Slope’s beautiful architecture in the distance. By Florence Wang

If you weren’t in attendance that night, or are not familiar with Dawn Landes, she has been a busy bee buzzing around Brooklyn since alighting here eight years ago, releasing five albums and three EPs as a solo artist. Her most recent solo album, Bluebird, with songs are windows to quiet, thoughtful moments, received a nomination for “Folk Album of the Year” by MRG from its 14th Annual Independent Music Awards. Her spirited 2010 release, Sweetheart Rodeo, extends an invitation for hand-clapping and a foot-stomping. There’s something that feels very participatory in her music; and that must be due to her collaborative nature. In addition to her solo albums, she has taken the stage with an array of musicians, including Will Oldham, Sufjan Stevens, and Justin Townes Earl. These alliances have led to her expanding into new areas such as an album devoted to the French song style Ye-Ye (a pop of the 1906s), and an interactive graphic novel. She also performs as Dawn Split, one third of the all-girl pop trio, The Bandana Splits, who are incredibly reminiscent of the Andrews Sisters, and are oodles of fun.

Her love of music started at a young age. “I started making up songs before I could play any instruments. Somewhere there’s a cassette tape of a four-year-old me cooing rhymes into my dad’s recorder.” Growing up, Dawn was drawn to Linda Ronstadt, Bonnie Raitt, and Lucinda Williams, who she aptly refers to as “the truth tellers.” These influences shaped her style, which could easily be described as a perfect marriage of these sounds: Ronstadt’s gorgeous soprano, Raitt’s wit, and Williams’ whimsy. An accomplished multi-instrumentalist, her exploration with sound also began at home. “We had a piano that kept changing colors. My mom kept painting it. I guess I’m drawn to acoustic instruments,” she muses. “I love the sound of the banjo and a good honky-tonk piano.”

Moving to New York City from her native Kentucky, Dawn cut her teeth working at various recording studios around the city while attending NYU. She learned the ropes of production and engineering, and met other like-minded musicians. “I’m often drawn to the people first and the music second,” she says. During this time worked with the Brooklyn-based, Americana musical group Hem, playing glockenspiel. “I met Hem in the studio early on when I was assisting at Stratosphere Sound. I love collaborating, it’s like the periodic table…you take a bunch of elements and throw them together and they create a whole new thing.”

Perhaps her biggest undertaking is writing the music and lyrics for the upcoming musical, Row, commissioned by Joe’s Pub/The Public Theater. Row recounts the true story of Tori Murden, a fellow Kentuckian, who in 1998 left her job and endeavored to become the first woman to row across the Atlantic Ocean. Dawn followed Tori’s progress as it appeared in the news, and the story stayed with her. “I was really inspired by Tori’s memoir, A Pearl in the Storm, but it wasn’t until I met with (writer/director) Daniel Goldstein that I ever considered turning it into a musical.” Goldstein, a fellow Park Slope resident, is writing the book and she has greatly loved this process. You can find Dawn’s TED talk about Tori’s story online. Her recounting of the voyage is riveting and the song she performs is a gorgeous reflection of her thoughts and feelings. A work in progress, she debuted some of the songs in a performance at Joe’s Pub over the summer, “It’s still in development with the Public Theater and I’m very excited to share it with the world when it’s ready.” Given her previous albums, it makes perfect sense for Dawn to sing about Tori—she is a woman of strength, it must be the Kentucky spirit shining through.

Dawn is currently on tour as part of Sufjan Stephens’ quartet that The Huffington Post described as “stellar;” further writing that Dawn is a, “charming singer-songwriter whose quiet elegance added even more charm to his already class act.” When touring is complete, Park Slope is where she hangs her hat. “I moved to Brooklyn about eight years ago. As a native Kentuckian, the tree-lined streets in Carroll Gardens and Park Slope really made me feel at home. I grew up near Cherokee Park in Louisville…which is also an Olmstead park, so Prospect Park somehow feels familiar. There’s a great community of musicians and songwriters in Brooklyn.”

2016 looks to be another busy year for Dawn—in January, look out for her EP of duets on Sixth Degree Records, titled Desert Songs. As you’re thinking about gifts this season, The Bandana Splits have a holiday album coming out—the perfect soundtrack to any party. You will find it in her online store, which is stocked with fun, rodeo-themed merchandise, as well as her music on both CD and vinyl. It has been a busy year for Dawn, and I for one am looking forward to her return to Brooklyn and Joe’s Pub, and a chance to hear her live.

You can learn more about her, listen to music, and find her performance dates on her website, dawnlandes.com.

Filed Under: Friends & Neighbors Tagged With: Celebrate Brooklyn, Dawn Landes, Folk music, Live music, Prospect Park

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